An ardent, well-told story that manages to connect Occupy Wall Street, the Arab Spring, and Doctor Zhivago.
A New York City writer and editor and his publishing-executive wife try to keep their marriage together and advance their careers and causes in Grossman’s debut novel.
Frazier Pickett lives in the West Village neighborhood of Manhattan with his wife Margaret and their two kids. He works as an editor at Flying Pens, a B-list literary agency, while she’s flown up the ladder to become director of creative nonfiction at HarperCollins. Lately, Frazier has been under the spell of a French girl named Anastasie Moreau, his new muse, while Margaret has been fixated on a project concerning a poet whose work is connected to the Arab Spring. Lower Manhattan is buzzing with the beginnings of the Occupy Wall Street movement, and a pro-Israel group named Temple Mount Zionists has been making noise in New York as well as in Omaha, Nebraska. A parallel plotline, set in Russia, tells the story of Katya Ivashov, a writer in the late 1930s who’s involved with a Jewish anti-fascist group during Stalin’s purges. Her extraordinary experiences include working with Boris Pasternak at his country house as he’s writing Doctor Zhivago. As Katya struggles to find her exiled lover, Oleg, she also bears the responsibility for ensuring the publication of both Zhivago and her own book, My Long Journey Home. Back in present-day New York, Frazier and Margaret discover Katya’s story, which has profound personal and professional implications for them that also connect with the uprisings they see at home and abroad. Grossman writes with enough spirit and optimism that the novel’s complex, likable characters have room to flourish. Frazier and Margaret’s relationship is a wonderful depiction of a marriage that’s somewhat on the rocks but still has great communication and emotion: “Frazier both hated and loved Margaret’s lionhearted tenacity, probably because he wished he had more of it himself.” The author’s keen observations about the American mortgage fiasco are given with down-home realism during a crisis involving Frazier’s family in Texas. New York is shown as being as alive as ever but also filled with “dim-eyed ones who were in between dreams or broken to the point of no return.” The novel is overlong, with some paragraphs spanning multiple pages. Yet it succeeds very well at telling a story of characters discovering a hidden past as they stumble toward a more meaningful future.
An ardent, well-told story that manages to connect Occupy Wall Street, the Arab Spring, and Doctor Zhivago.Pub Date: Nov. 21, 2016
ISBN: 978-0-9976708-9-9
Page Count: 436
Publisher: Occupy the Word Publishing
Review Posted Online: May 27, 2016
Review Program: Kirkus Indie
PROFILES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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