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ENDING UP

When all is said and done, Mr. Amis and his readers should all be ready to make voluntary contributions to the Euthanasia Society although there are no suggestions to that effect here. This is a mercifully shorter book than the process of old age and dying and also a very literal view from the bottom — scatological beyond the failure of man's functions in their most obvious orifices — funny only to the degree which you can overlook discomfort — at best acute in its projection of the worst of life which is yet to come. Grin or grimace if you will. The demise en scene is something called Tuppeny-hapenny Cottage managed — as efficiently as possible — by Adela Bastable who at 71 has only a gastric ulcer to contend with. Her brother Bernard has a game leg and a rotten character assisted no doubt by the fact that he has a fatal cancer (the others don't know this). And then there's Marigold, Adela's dear friend, becoming more and more forgetful — Marigold who has her own version of the spoken language which includes "idionyms" like "drinkle-pinkle" or "kiddle-widdle" which is certainly sicky-icky. And Shorty, once Bernard's dear, dear friend, who does the housework when he's not altogether loaded, and a stroke-bound professor of Central European History. Their days are briefly cheered by two visits (Adela's grandchildren) rather than the local doctor who doesn't know what to say to any of them as he makes his dismal rounds. Ail prefatory to the calamities at the close — willed and accidental. One of the self-defeating aspects of Mr. Amis' book — if it is to be a commentary on the incompetence-incontinence of old age — is that he has gathered together such an unsightly group of characters who must easily have been as unattractive at thirty or forty or fifty.

Pub Date: Sept. 25, 1974

ISBN: 0140041516

Page Count: 176

Publisher: Harcourt Brace Jovanovich

Review Posted Online: March 17, 2012

Kirkus Reviews Issue: Sept. 1, 1974

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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