A chilling, eloquent novel that draws you in with mystery and holds you there with love, obsession, failure, insanity, and an enchanting hybrid of past and present. Narrator Christine Ward lost her beloved college friend Orin Pierce when he reportedly drove off a cliff in New Mexico. She tried to get on with her life by marrying a pretentious French painter, having a son, and beginning her own watercolor career. But the memory of Pierce, as she called him, was always at the surface: ``He was in my mind nearly every day—sometimes for a moment, other times like an extended meditation.'' In addition, she was still reeling from her brother's suicide that same year, committed with a gun he had gotten from Pierce. So when her son was only five, Christine had a breakdown, and her husband, who criticized her work and looked at other women's breasts, took advantage of the situation and whisked their son off to Paris. Twenty years after Pierce's disappeaance, Christine has it together. She's working toward a major show, she's in a loving relationship with a former accountant who now owns a pizzeria, and her son, whom she has only seen three times in 12 years, wants to go to Yale and be near his mother in New Haven. But then Christine sees the name Orin Pierce in a stranger's Filo-Fax and hears his name called by a woman on the street; suddenly, she thinks there's been some mistake, that her best friend never died at all. Of course, she tracks down an Orin Pierce in New York City and a relationship ensues. And as she studies him for hints of the other Pierce and wonders how much a man could change in 20 years (could the bohemian actor she knew have become a bald, bespectacled real-estate dealer?), she learns more than she ever wanted to know about secrets and lies. Florey (Duet, 1987, etc.) infuses her typically irresistible characters with a depth and darkness that give her newest work a coherent vision and lasting effect.

Pub Date: Nov. 1, 1994

ISBN: 0-913089-43-5

Page Count: 224

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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