A gratifying romantic and personal adventure.
In Cook’s debut romance, an experimental sleeping pill allows thrilling, lucid dreams, which upends a married woman’s life.
A month ago, Vanessa “Ness” Brown’s husband, Pete, expressed his desire to start a family, and since then, she’s been in turmoil—as reflected in her terrible anxiety dreams. She notes that having children isn’t an unreasonable notion; she and her husband are both in their early 30s and have a strong three-year marriage. But Ness isn’t interested in children, and she can’t even bear thinking about it, let alone tell Pete. She has an undemanding job as a clinical drug trial assistant in downtown Seattle, and one perk is her daily banter with her handsome, laid-back co-worker Altan Young, on whom she has a “teeny, tiny crush.” She discovers that he’s been stealing leftover capsules of a new sleeping pill, Morpheum; his resulting dreams, he says, are “amazing.” Ness decides to try the drug herself, and she gets a great night’s sleep, complete with a delightful dream. She soon finds Morpheum too wonderful to give up—especially after she and Altan start sharing steamy, adventurous encounters within their dreams. Soon, Ness seeks further escape—which leads her into a nightmare. Cook concocts a fantasy with huge appeal; who wouldn’t want to have adventures where we can be our best selves without boundaries? Even Ness’ terrible mistakes, as the author describes them, seem to be a necessary part of her journey. The characterization falters somewhat due to Ness’ insufficiently explained feelings of shame, and Pete doesn’t seem to deserve her harsh treatment. She won’t even tell him about her desire to become a photographer; her justification is that “it felt wrong to want something other than” Pete. Meanwhile, her relationship with Altan seems effortless thanks to the dreams’ “mind meld”; a real-life relationship could never compete. The whole story feels a bit like a wish-fulfilling reverie—but it’s a well-written one, and readers will be glad about a promised sequel.
A gratifying romantic and personal adventure.Pub Date: Feb. 25, 2019
ISBN: 978-1-73299-841-4
Page Count: 310
Publisher: Brass Anvil Books
Review Posted Online: March 7, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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