A charming and satisfying story about family bonds that will make meat eaters everywhere crave fried chicken.
Rival restaurants (and sisters) compete on a reality TV show, but things don’t go quite as planned.
Merinac, Kansas, may be a small town, but it’s been supporting two fried chicken restaurants for years. Chicken Mimi’s and Chicken Frannie’s were started generations ago by sisters, but now they’re run by competing families, the Moores and the Pogociellos. Amanda Moore grew up working for her mother, Barbara, at the more casual chicken shack, Mimi’s, but then she married Frank Pogociello and switched over to the fancier Chicken Frannie’s team, which boasts table service and fried mozzarella sticks. Now Amanda isn’t even allowed inside Mimi’s, and her relationship with her mother is strained—and that’s not even to mention her relationship with her sister, Mae, who fled Merinac the second she could and started a career as a Marie Kondo–eqsue professional organizer with a decluttering book and a television show called Sparkling. When Amanda hears about the reality show Food Wars, she thinks it could bring big business to Merinac—so she applies, and soon the TV crew has descended upon the town to figure out once and for all which restaurant has the best chicken (and which family will win $100,000). Mae even returns home to support their mother, help out at Mimi’s, and possibly rehabilitate her own career. Dell’Antonia writes convincingly and sympathetically about complicated family relationships, giving Mae and Amanda each relatable flaws. The Food Wars scenes are a fun peek behind the curtain of the reality TV world, and the small-town warmth of Merinac is comfortingly quirky.
A charming and satisfying story about family bonds that will make meat eaters everywhere crave fried chicken.Pub Date: Dec. 1, 2020
ISBN: 978-0-593-08514-1
Page Count: 352
Publisher: Putnam
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.
A sweeping exploration of choice, chance, class, race, and genetic engineering in three generations of a Chinese American family.
Khong’s follow-up to her sweet, slim debut—Goodbye, Vitamin (2017)—is again about parents and children but on a more ambitious scale, portraying three generations in what feel like three linked novellas, or somehow also like three connected gardens. The first begins in 1999 New York City, where Lily Chen stands next to a man at an office party who wins a big-screen TV in the raffle. He insists she take it; he is Matthew Maier, heir to a pharmaceutical fortune, and has all the TVs he needs. On their first date, they go to Paris after dinner, and as this section ends, they’ve had their first child. The second part of the book moves to 2021 on an island off the coast of Washington state. It’s narrated by Lily’s now-15-year-old son, Nick; his father is nowhere in sight, at least for now. The closing section unfolds in 2030 in the San Francisco Bay Area. It’s told by Lily’s now elderly mother, May, with an extended flashback to her youth in China during the Cultural Revolution and her first years in the U.S. As a budding scientist, May was fascinated by genetics. Of the lotus flowers she studied at university, she observes, “Raindrop-shaped buds held petals that crept closer, each day, to unfurling. As humans we were made of the same stuff, but their nucleotides were coded such that they grew round, green leaves instead of our human organs, our beating hearts.” This concern for how and why we turn out the way we do animates the book on every level, and along with science, social constructs like race and class play major roles. Every character is dear, and every one of them makes big mistakes, causing a ripple effect of anger and estrangement that we watch with dismay, and hope.
Bold, thoughtful, and delicate at once, addressing life’s biggest questions through artfully crafted scenes and characters.Pub Date: April 30, 2024
ISBN: 9780593537251
Page Count: 416
Publisher: Knopf
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
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