The interestingly prickly heroine's identity quest seems shoehorned into a romance with her caretaker friend.
Friends become lovers after years of friendzoning each other in this part–road trip, part-sitcom romance.
Bethany Lu is an artist in her 40s who’s beginning to make a name for herself. Nice guy Truman Erickson is an economics professor she’s known for decades. They live in the same New York City building, belonging to Bethany's wealthy money-manager father, and they're also tied together by memories of Cole, her dead brother, who was Truman's best friend. Her high school BFF Dawn is convinced Tru and Bethany, who goes by Lu, belong together. But Lu can't handle the idea of risking her safe friendship with him, treating him with bossy familiarity. Tru has his own guilt about Cole’s passing, which has made him wary of expressing his romantic feelings for Lu. So when Lu sees the news that Keanu Reeves, her celebrity crush, is getting married and decides to track him down to change his mind, Tru offers to help though he's exasperated with her obsession. On their trips around New York and to other parts of the country, they finally end up in bed, but they still manage to avoid even the most basic communication. As the novel is told in the first person from both characters' points of view, we know they both feel more than they show, but instead of making us root for them, these glimpses into their thoughts raise doubts about their potential for adult intimacy. Jackson aims for a lighthearted road-movie feel, but the pacing and tone are uneven, zipping from episodes of zaniness to immature tiffs and self-recrimination. The fanfic-based Reeves odyssey never recedes to the background, so a quirky device meant to create forced proximity between the lovers competes with the actual relationship.
The interestingly prickly heroine's identity quest seems shoehorned into a romance with her caretaker friend.Pub Date: Nov. 2, 2021
ISBN: 978-1-5387-0350-2
Page Count: 336
Publisher: Forever
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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