A rich sci-fi mystery thriller set in a technologically advanced and politically corrupt galaxy.
In the Ascension Galaxy, people are defined by their status as a noble or commoner, and Sir Cobran Derithal comes from a house of minor nobles. He had a promising military career until an explosion shattered his leg and killed his fiancee. He recovers with his sister and nephew on his home planet of Jarissa, but family problems force him to test his new mechanical leg and travel to the capital, where his sister fears for a young noblewoman’s safety; his powerful and domineering brother is arranging a marriage for him to a mysterious woman; and his wealthy, extravagant cousin Edwin receives an upsetting note and asks for his help. These seemingly unrelated adventures eventually weave together in surprising and delightful ways, as Cobran delves into the intricacies of noble society and finds that he must compromise his morals. Johnson-Weider (West Pacific Supers: Victory at Any Cost, 2012) creates a complex, textured high-fantasy world, complete with political intrigue, societal conflict, romantic histories and, of course, space aliens. Cobran emerges as a compelling, likable frontman—determined, loyal and competent. Although the myriad characters and worlds can at times be confusing, readers will be rewarded by a persistent, close read, as each character has unique and evocative quirks that will draw readers into the complexities of the Ascension Galaxy. Although the prose can be a bit repetitive at times, Johnson-Weider ably intertwines Cobran’s calculated investigations with his complex fictional world and provides a consistently thrilling, action-packed story, leaving readers completely fulfilled—if perhaps a bit shellshocked.
A complex, addictive sci-fi adventure.Pub Date: Jan. 20, 2013
ISBN: 978-0983798446
Page Count: 434
Publisher: Blue Moon Aurora, LLC
Review Posted Online: Feb. 21, 2013
Kirkus Reviews Issue: April 1, 2013
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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BOOK REVIEW
Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 18, 2013
Kirkus Reviews Issue: March 1, 2013
Categories: GENERAL FICTION
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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)
Pub Date: April 1, 1999
ISBN: 0-671-02578-3
Page Count: 320
Publisher: Pocket
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 1999
Categories: GENERAL FICTION
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