High jinks ’n’ politics. Whee!
A mildly hypochondriac but sweet young senatorial aide takes everything mean old Washington can throw at her while giving her all to a possible national program to lower prescription costs for senior citizens.
Vice-presidential daughter and first-time novelist Gore can be presumed to know the lay of the land. Here, the eponymous Sammy (née Samantha) Joyce, daffy in a sorority-cutup sort of way, has cast her lot with virtuous Ohio junior Senator Robert Gary, slightly grizzled, right (that is to say, left)-thinking father of two-year-old twins. Domestic policy advisor Sammy shares a flat with a succession of Japanese fighting fish and puts in 80-hour weeks trying to wrest this great nation’s prescription drug policy from the grip of the pharmaceutical companies and put it in the compassionate hands of her straight-arrow boss. She’s busy as a bee, but finds enough time in between vital hearings and the preparation of position papers to carry on a passionate fling with devilishly handsome Aaron Driver, principal speechwriter for evilly cynical New Jersey senator and presidential hopeful John Bramer. Sammy and Aaron have become bedfellows thanks to an alliance on health matters between their bosses, which sends Sammy to lend her encyclopedic knowledge of health issues to the crafting of a landmark prescription drug bill. But, oh! What's this? The Bramer team has gutted everything important from Sammy’s draft, and Senator Gary is going to go along with it! It’s a painful lesson in political compromise, and there is further pain to come. Aaron is an awfully hard partier, and there are unpleasant, unexplained gaps in his schedule. Sammy’s best friend Liza thinks he's a rat. Many, many e-mails fly (BlackBerry gets fabulous product placement), and several more fighting fish die as political and romantic alliances form and re-form. Gore goes for a zany but sweet tone while protecting her dad’s, and maybe even her own, political viability with lots of discreet veiling.
High jinks ’n’ politics. Whee!Pub Date: Sept. 1, 2004
ISBN: 1-4013-5219-7
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2004
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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