Over-the-top fireworks.
This block-sized blockbuster can’t be faulted for timidity—and, as an entertaining fictional primer to mid-19th-century Western history, very nearly justifies its hubris.
The year 1848 is this epic’s most memorable character. Andersen (Turn of the Century, 1999, etc.) crams paragraphs with personality and incident, but he’s best at making the past palpable. A world-shaking annus mirabilis, 1848 saw California’s gold rush, widespread cholera and trans-European monarch-toppling. Dillydallying in Bohemian life, upscale Brit Benjamin Knowles hits Paris right when it explodes. A gamin happens to hand him a homemade bomb as gendarmes approach. Mistaken for a rebel, Ben flees, finding his best friend murdered in rioting and the fetching grenadier slain by an avenging reactionary. His adventures elaborately cross-cut with those of the siblings Lucking—fireman and Mexican war vet Duff and actress-hooker Polly—ablaze with lefty, demimonde fever in a Big Apple straight out of Scorsese’s Gangs of New York. Add Daguerreian-era tabloid journalist Timothy Skaggs to this posse of raffish visionaries—“Modernity glows,” Skaggs exults—and the pursuit of happiness, fresh starts and Manifest Destiny commences as they heed Greeley’s injunction: “Go West.” Just one of a cast of true-life cameos, Greeley joins wasted genius Edgar Allan Poe, compulsively farting Charles Darwin and ever-eager Walt Whitman in the book’s vast backstory. That backstory, teeming with slave trade and robber-baron anecdotes, gossip about Dickens and Thackeray and explanations of utopian socialist politics, steals thunder from the actual tale, as no protagonist is especially sympathetic and the plot proves dizzyingly frenetic. Basically, what makes this a thriller is the breathlessness of the historical moment itself.
Over-the-top fireworks.Pub Date: March 13, 2007
ISBN: 0-375-50473-7
Page Count: 640
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
PROFILES
SEEN & HEARD
Fans weary of King's recent unwieldy tomes can rest easy: his newest is slim, slick, and razor-keen. His first novel without supernatural elements outside of the Richard Bachman series, this psychological terror tale laced with pitch-black humor tells the nerve-jangling story of a best-selling author kidnapped and tortured by his "number one fan." King opens on a disorienting note as writer Paul Sheldon drifts awake to find himself in bed, his legs shattered. A beefy woman, 40-ish Annie Wilkes, appears and feeds him barbiturates. During the hazy next week, Paul learns that Annie, an ex-nurse, carried him from a car wreck to her isolated house, where she plans to keep him indefinitely. She's a spiteful misanthrope subject to catatonic fits, but worships Paul because he writes her favorite books, historical novels featuring the heroine "Misery." As Annie pumps him with drugs and reads the script of his latest novel, also saved from the wreck, Paul waits with growing apprehension—he killed off Misery in this new one. tn time, Annie rushes into the room, howling: she demands that Paul write a new novel resurrecting Misery just for her. He refuses until she threatens to withhold his drugs; so he begins the book (tantalizing chunks of which King seeds throughout this novel). Days later, when Annie goes to town, Paul, who's now in a wheelchair, escapes his locked room and finds a scrapbook with clippings of Annie's hobby: she's a mass-murderer. Up to here, King has gleefully slathered on the tension: now he slams on the shocks as Annie returns swinging an axe and chops off Paul's foot. Soon after, off comes his thumb; when a cop looking for Paul shows up, Annie lawnmowers his head. Burning for revenge, Paul finishes his novel, only to use the manuscript as a weapon against his captor in the ironic, ferocious climax. Although lacking the psychological richness of his best work, this nasty shard of a novel with its weird autobiographical implications probably will thrill and chill King's legion of fans. Note: the publisher plans an unprecedented first printing of one-million copies.
Pub Date: June 8, 1987
ISBN: 0451169522
Page Count: 356
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: May 15, 1987
BOOK TO SCREEN
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