A welcome opportunity for book readers to discover the pleasures of a periodical that was to the Reagan-Bush era what Evergreen Review was to the 1950s. Begun by Hollander in the mid-1980s as a photocopied and stapled bundle, The Portable Lower East Side got some unwanted national exposure in 1992, when conservatives used it as an example of the obscene and blasphemous material funded by the National Endowment for the Arts. Now it can be read on its own terms. New York City's Lower East Side is as much a state of mind as a literal neighborhood: Wherever there are drugs and sex, you're likely to find some of these contributors. When Veronica Vera decided to write an article about ``the game of sex and money,'' she went to The Forty-Second Street Show World Sex Emporium, interviewed employees, and worked one of the ``booths'' herself to gain firsthand experience. Christopher O'Connell's ``Williamsburg Seizure Sites'' details epileptic seizures that, ironically, sound almost identical to the drug-induced states captured by other contributors. Some of the finest stories and memoirs present New York City as viewed by newcomers. Jack Henry Abbott, just released from prison, offers a chilling portrait of the Bowery in 1981, depicting street life that later spread throughout New York City; his increasingly staid, unflinching reactions parallel those of many city-dwellers. Guy-Mark Foster follows the man he loves to a city he knows almost nothing about (except that it's not nearly as clean or peaceful as they city they've left). Hubert Selby, Herbert Huncke, Grace Paley, and photographer Robert Frank are among the better-known contributors. Pieces by Italian, Russian, Hungarian, and Cuban immigrants—some translated from the authors' foreign-language originals—recapture the melting-pot flavor the area had 100 years ago, but with a decidedly contemporary in-your-face quality. Some will be offended, but this groundbreaking volume's artistic merit is indisputable.

Pub Date: Oct. 1, 1994

ISBN: 0-8021-3408-4

Page Count: 304

Publisher: Grove

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 1994

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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