by Kyl Myers ‧ RELEASE DATE: Sept. 8, 2020
An enlightening, much-needed resource for parents hoping to raise their children without limitations.
A sociologist recounts her family’s journey in gender creative parenting, a relatively new and misunderstood concept.
During her time as an educator, Myers became well versed in the research related to gender stereotypes and inequality. When she got pregnant, she and her husband decided to not disclose their child’s sex or assign a gender and to use only the gender-neutral pronouns “they/their” when discussing their child, Zoomer. As the author explains, “many of the physical, emotional, and verbal differences we see between boys and girls are largely socially constructed and reinforced through stereotypes.” By raising Zoomer without exposure to these stereotypes and expectations, they hoped they would have the freedom to discover their interests “outside the pressures of a restrictive binary” and to later self-identify. As they arose, Myers and her husband would be there to “answer their gender-related questions consciously, age appropriately, and inclusively.” Without much information available regarding gender creative parenting, the author and her husband had to trust their instincts and dig deep into what information they could find. To help others in similar situations, Myers began documenting their journey online, and she describes the encounters, both positive and negative, that they have had with family, strangers, and the media. Throughout, the author is frank and compassionate. “Stepping into the spotlight as a public advocate for gender creative parenting was terrifying,” she writes. “But I had such a conviction that gender creative parenting could contribute to changing the world for the better that I knew I had to spread the message as often and as far as I could. Being a part of this movement—being a part of creating a more inclusive world that celebrates diversity and relentlessly fights for equality—would be my greatest achievement.” Jill Soloway provides a brief foreword.
An enlightening, much-needed resource for parents hoping to raise their children without limitations.Pub Date: Sept. 8, 2020
ISBN: 978-1-5420-0367-4
Page Count: 256
Publisher: Topple/Little A
Review Posted Online: April 19, 2020
Kirkus Reviews Issue: June 15, 2020
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New York Times Bestseller
by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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New York Times Bestseller
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Brandon Stanton ; photographed by Brandon Stanton
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