by Kyle Mills ‧ RELEASE DATE: March 26, 2013
Mills offers an interesting new premise for action-adventure, albeit with the resolution one tick less than satisfying.
In the latest of Covert-One operative Lt. Col. Jon Smith’s adventures, Mills (The Ares Decision, 2011, etc.) uploads Ludlum’s superagents into augmented reality.
Merge makes supersophisticated iPhone apps resemble No. 2 pencils and scrap paper. A microphone in a molar cap and two studs in the skull enable a deceptively plain plastic box of circuits and software to seamlessly interface with the human brain, displayed through virtual icons and made functional by thought processes. Merge is the brainchild of Christian Dresner’s Dresner Industries. The behavioral science behind Merge is the work of Dresner’s friend, psychologist Gerhard Eichmann. Both are refugees from authoritarian Communist East Germany. Dresner is a Steve Jobs–Howard Hughes amalgamation; Eichmann is the weird-scientist cliché. Dresner releases Merge to the masses and then offers a tailored version exclusively to the U.S. military. Covert-One op Smith, a combat-experienced medical doctor, is assigned to lead the test. And Merge works, providing hyperawareness and seamless battlefield communication and proving so powerful in a real-world test that a group of desk jockeys outfights a special ops team. Covert-One chief Fred Klein, undercover at Anacostia Seagoing Yacht Club but with on-call access to President Sam Castilla, is cautious. Martin Zellerbach, Smith’s psychologically troubled childhood friend and wizard computer geek, is entranced. CIA operative Randi Russell isn’t sure. She’s found evidence that Merge has been tested in an Afghanistan village, with the subjects thereafter slaughtered by mercenaries. Smith and Russell soon run afoul of Maj. James Whitfield, leader of a secret Pentagon group allied with the military-industrial complex. Smith also discovers that Dresner Industries has financed tests in a secret human experimental North Korean laboratory. Mills rockets the action around the world.
Mills offers an interesting new premise for action-adventure, albeit with the resolution one tick less than satisfying.Pub Date: March 26, 2013
ISBN: 978-0-446-53989-0
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: March 2, 2013
Kirkus Reviews Issue: March 15, 2013
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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by Renée Knight ‧ RELEASE DATE: May 19, 2015
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
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