A meticulously plotted tale, headlined by two praiseworthy protagonists.
An Australian writer’s fictional account of a serial killer catches the attention of a genuine murderer in De Michiel’s (Orchestrated Fate, 2013, etc.) thriller.
Jake Petersen is taken aback when retired cop Cary Layter shows up at his door asking for the source for his latest serial-killer story in Crime of Fashion magazine. It turns out that Jake made up the tale, but Cary has found parallels to his own 14-year-old daughter’s abduction two decades ago—including her name, Josie. Someone took her from her home and likely kidnapped other girls as well. Jake assures Cary that his upcoming story installment, which will reveal where the bodies are buried, is pure fiction. However, a real-life killer has also noticed Jake’s article and given him a couple of warnings, including an axe in his door and a phone call saying he saw Jake at his restaurant gig. Jake and Cary come to believe that a body or two may really be buried at a public park. The killer, meanwhile, amps up his threats, creeping into Cary’s home and trailing Jake’s girlfriend, Savina Carabini. Worst of all, the rate of his murders has accelerated. De Michiel abandons the mystery by revealing the killer’s identity early on, but he still delivers a stark procedural that shows the painstaking detail of proving that someone’s a murderer. The novel’s nuanced plot developments make it stand out; for example, Cary gets an assist from DS Fayne Breitling, who later becomes his love interest, and Savina is revealed to be the daughter of an infamous Italian crime boss. There’s also subtle humor, as when Savina repeatedly calls the killer “the axe murderer,” based solely on the bladed tool he left in the door. Cary is a licensed PI, but De Michiel ensures that amateur gumshoe Jake has razor-sharp dialogue at the ready, as when he responds to a cop’s dig about “playing detectives”: “Somebody has to.” In the end, the story resolves with a bit of a twist.
A meticulously plotted tale, headlined by two praiseworthy protagonists.Pub Date: Feb. 19, 2016
ISBN: 978-0-9872200-4-2
Page Count: 394
Publisher: Lindenfels Publishing
Review Posted Online: April 20, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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