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THE LIES BOYS TELL

Herrin's fourth novel (The Unwritten Chronicles of Robert E. Lee, 1989, etc.): a quiet, sturdy account of a dying man's journey across the country to his deathbed, which happens to be the same bed where he was born. The author manages to turn the stuff of soap opera into a heartfelt mythical odyssey, occasionally a bit garrulous but mostly full of craft. Ed Reece, dying of lung cancer, telegraphs Larry, his estranged older son, nearly 40. Despite his wife and other children, despite a prosperous business, ``All I can say now,'' Ed tells Larry, ``is that it hasn't been enough.'' So he has Larry buy a van and off they go, without telling the family. While they travel through the Midwest on their way to Chumleyville, Alabama, where Ed was born, the two have many heart-to-hearts, and Larry, drifting until now, begins to apprehend the world: ``Death was like a solution that brought every speck of beauty out of the world around you, but that would not let you breathe, let you be.'' They visit Connie, Larry's ex-wife, who now lives in the country with Larry's two kids and her female lover. Connie is a no-nonsense woman (``We're the salt of the earth. We pull our weight out here''), and Ed convinces her to come along with grandson Jeff. After the usual road scenes—flashbacks, a van breakdown, cops (because Ed's wife is convinced that Larry ``kidnapped'' his father)—Connie and Larry are reconciled, then bargain (in an affecting tragicomic scene) with the owners of the house where Ed wants to die. Ed passes away after a vision, leaving his family- -Ed's wife and younger son are now on the scene as well—bereft but wiser. Herrin builds his novel the old-fashioned way, earning his effects with slice-of-life detail that makes the archetypal father- son journey credible and unboastful rather than literary or postmodernist.

Pub Date: Sept. 23, 1991

ISBN: 0-393-03010-5

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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