An insightful portrait sure to engage DJ Screw’s longtime fans and newcomers alike.

DJ SCREW

A LIFE IN SLOW REVOLUTION

An ambitious love letter to one of Houston’s beloved mixtape kings.

Walker, a Texas native now based in New York and author of Houston Rap Tapes, gives us a definitive portrait of Robert Earl Davis Jr. (1971-2000), aka DJ Screw. Though the format might seem jarring at first, the narrative picks up as the rhythm and pace of the prose take over. With testimony from more than 100 people who knew DJ Screw well, the text offers an engaging, documentarylike conversation about his life and work. Screw began scratching up records at a very young age, and he became a breakaway sound alchemist after slowing down a recording of the 1985 Mantronix hit “Fresh Is the Word.” From there, his artistry and popularity skyrocketed, and he continued to develop singular styles and methods. “Screw took everybody’s favorite songs and ripped them wide open, tearing into the fabric of the original sound, decompressing, adding earth, adding sky, adding voice,” writes Walker. “People describe songs on Screw tapes as being more emo­tional. Maybe that was the point—to open up the music until it bleeds.” His mixtapes became some of the most sought-after music in the area; in one day, he could make up to $30,000 in tape sales. Eventually, Screw branched out into entrepreneurial ventures, including a record label and two stores. Although the testimony of others guides the book, during the useful transition sections, Walker’s authoritative voice returns. Screw’s friends credit his love of music with keeping him off the streets and out of trouble when he was young, but it couldn’t save him in the end. His inability to sleep, poor diet, and substance abuse issues led to his death at age 29. More than two decades after his death, however, Screw’s influence can still be heard and felt in Houston and beyond.

An insightful portrait sure to engage DJ Screw’s longtime fans and newcomers alike.

Pub Date: April 19, 2022

ISBN: 978-1-4773-2513-1

Page Count: 312

Publisher: Univ. of Texas

Review Posted Online: Feb. 15, 2022

Kirkus Reviews Issue: March 15, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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