A sweet, often poignant tale of survival that may spur interest in a magnificent species.

Shasta and Her Cubs


Inspired by the years he spent in Canada’s Kananaskis Provincial Park, Robson (The Prophecy, 2014, etc.) crafts an anthropomorphic story of a young grizzly named Shasta and her day-to-day struggles to raise her first litter of cubs.

Written in third-person with a focus on mother Shasta, this story of survival begins when her cubs—Kodiak (a strong male), Koda (a strong female), and Mato (a small, weak male)—are but a few days old. The tale continues into the cubs’ fourth year, when they will set out on their own. Shasta’s memories—such as her reasons for coupling with a majestic male named Ursus—are sprinkled throughout the narrative. Even though the bears are given human personalities, the book is intended for “a more mature nature enthusiast,” writes the author. Indeed, the attribution of human emotions to grizzlies makes the tone feel juvenile at times; for example, “Shasta smiled as she considered her choice of such a good den in which to give birth to her first cubs.” Nevertheless, Robson succeeds in realistically portraying the difficulties of grizzly survival—e.g., little Mato is attacked by an eagle—as well as the triumphs, as when Shasta manages to kill two elk for sustenance during a drought. Survival is paramount, and Shasta is determined to continue her bloodline. The narrative voice flows smoothly, and language is often poetic, as in a vivid description of Shasta’s smallest cub, Mato: “He would likely darken with time, but for now, his fur was the color of the tall blonde stalks of dry meadow grass that covered the ground after the snow melts and before the new green shoots emerged.” In fact, the adult vocabulary—shadows at dusk “had coalesced into the darkness of night”—is sometimes better suited for older teens and adults. A short discussion of basic grizzly behavior follows the story, as do footnotes, a nature glossary, and references for further reading.

A sweet, often poignant tale of survival that may spur interest in a magnificent species.

Pub Date: Sept. 11, 2015

ISBN: 978-1-4602-6955-8

Page Count: 126

Publisher: FriesenPress

Review Posted Online: Nov. 12, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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There are unforgettable beauties in this very sexy story.


Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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