A winning portrait of a high school teacher who struggles with her new career and memories of her own days as a student.
Back in the late 1970s, Nancy Adams had a fling with her high school teacher Russell Parsons. Twenty years later, widowed and adrift and living in her childhood home outside Jacksonville, Florida, she accepts Russell's offer to teach at her old high school. He's now the principal.
Nancy, a once-aspiring teacher who wrote book reviews during her time in Atlanta, is anything but a bookworm—we first encounter her sitting on a dock plugging Coke bottles with a gun. But she's unprepared for the foul mouths and minimal attention spans of her students. She doesn't know what to expect from Russell, whose beautiful wife never recovered mentally from a stroke she suffered after giving birth to twins. Nancy does know what to expect from the flirtatious Dell Rose, a handsome one-time basketball star who now coaches the school team, but she isn't sure what she wants from him, either. And then there's Dana, a mysterious, prematurely aged senior whose baby may be Russell's. Why else would he extend such preferential treatment to her? Nancy slowly makes her mark while becoming increasingly committed to her new calling. Much of her "education" as a teacher will be familiar to readers of high school fiction: She learns to deal with faculty members' egos, students' special needs and school board politics. But Nancy has such a lively, offbeat presence that you take an instant rooting interest in her. And Baker (The Flamingo Rising, 1997, etc.) depicts the other characters so well, and with such understanding, that the novel overcomes its somewhat dated quality.
A winning portrait of a high school teacher who struggles with her new career and memories of her own days as a student.Pub Date: June 1, 2014
ISBN: 978-1-888160-78-9
Page Count: 414
Publisher: Ice Tea Books/Ice Cube Press
Review Posted Online: June 26, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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