by Larry Brown ‧ RELEASE DATE: Jan. 28, 1994
Brown brings to his first work of nonfiction the same no- nonsense style that makes his novels and short stories (Big Bad Love, 1990, etc.) so powerful and intense. This episodic memoir of his life as a firefighter is also a testament to family, courage, and hard work, and Brown isn't afraid to risk being sappy, albeit in a manly way. A self-taught writer, Brown supported himself and his family for 16 years as a fireman in his hometown of Oxford, Mississippi. A veteran of the Marines, he found the same brotherhood in the station house, and also a similar test of muscle, brain, and heart. A firefighter can be ``a prick, a thief, a liar,'' but he can't be a coward. Each fire ``has to be faced and defeated,'' and you never ``forget death and pain, or fear.'' Brown sings the praises of his tools—the beauty of knots, hoses, and sirens. He inventories the back rooms, and re-creates the boredom of waiting as well as the pleasures of cooking for the boys and watching sex and violence on the VCR. But nothing beats the adrenaline rush of a call, whether to a burning building or a car wreck: Both require a reflex-like response, and the joy of saving lives cannot be equalled. Interspersed throughout the rambling narrative are anecdotes from Brown's life: his guilt over killing a mouse; his early joy in hunting and fishing; his love for his family and his squirrel dog. The funny tale of his temporary separation from his wife has all the hard-luck pathos of the author's best short stories. Brown confesses to drinking too much and to being otherwise content with his life. Yet he reluctantly abandoned firefighting to become a full-time writer—and he's done extraordinarily well at it since. A remarkable addition to the literature of work. This may not be the first book by a fireman—but it's one of the best. (First printing of 25,000)
Pub Date: Jan. 28, 1994
ISBN: 1-56512-009-4
Page Count: 224
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1993
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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