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ON FIRE

A PERSONAL ACCOUNT OF LIFE, AND DEATH, AND CHOICES

Brown brings to his first work of nonfiction the same no- nonsense style that makes his novels and short stories (Big Bad Love, 1990, etc.) so powerful and intense. This episodic memoir of his life as a firefighter is also a testament to family, courage, and hard work, and Brown isn't afraid to risk being sappy, albeit in a manly way. A self-taught writer, Brown supported himself and his family for 16 years as a fireman in his hometown of Oxford, Mississippi. A veteran of the Marines, he found the same brotherhood in the station house, and also a similar test of muscle, brain, and heart. A firefighter can be ``a prick, a thief, a liar,'' but he can't be a coward. Each fire ``has to be faced and defeated,'' and you never ``forget death and pain, or fear.'' Brown sings the praises of his tools—the beauty of knots, hoses, and sirens. He inventories the back rooms, and re-creates the boredom of waiting as well as the pleasures of cooking for the boys and watching sex and violence on the VCR. But nothing beats the adrenaline rush of a call, whether to a burning building or a car wreck: Both require a reflex-like response, and the joy of saving lives cannot be equalled. Interspersed throughout the rambling narrative are anecdotes from Brown's life: his guilt over killing a mouse; his early joy in hunting and fishing; his love for his family and his squirrel dog. The funny tale of his temporary separation from his wife has all the hard-luck pathos of the author's best short stories. Brown confesses to drinking too much and to being otherwise content with his life. Yet he reluctantly abandoned firefighting to become a full-time writer—and he's done extraordinarily well at it since. A remarkable addition to the literature of work. This may not be the first book by a fireman—but it's one of the best. (First printing of 25,000)

Pub Date: Jan. 28, 1994

ISBN: 1-56512-009-4

Page Count: 224

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1993

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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