A compelling mystery set in an industry that has radically changed over the past 50 years.




In Martz’s (Making Schools Better, 1997) first novel, a journalist in 1950s Detroit gets entangled in a mystery involving a murdered child, corrupt union organizers and a mayoral campaign.

Idealistic newspaper reporter Billy Morgan is covering the mysterious murder of 4-year-old Molly Demetrios. Police arrest a mentally disabled young man for the crime, but Morgan finds that there is barely any evidence tying him to the killing. Soon afterward, several dry cleaners are bombed, and Morgan uncovers that Molly’s father, an accountant, is connected to the Teamsters’ Jimmy Hoffa and corrupt Detroit automotive unions. Meanwhile, popular businessman Trolley Lander runs for mayor of Detroit, and Billy reports on the campaign when he’s not sniffing out clues to Molly’s murder; he soon falls in love with Trolley’s assistant, Cindy, and eventually discovers that Cindy once had an affair with her boss. Martz does an excellent job at portraying a world when print was king of the news. His descriptions of the bustling late-night newsroom crew, struggling to make their deadlines, are a stark contrast to what readers may associate with today’s 24-hour nonstop social-media-driven news cycle. Readers may find the novel’s conclusion somewhat predictable, but the winding path the story takes to get there is not. The story has few female characters, and they’re more hastily sketched than the men; Cindy is the novel’s least compelling figure, despite being the hero’s love interest. However, because the story is set during a much different time, and from Morgan’s limited point of view, readers will likely forgive this slight.

A compelling mystery set in an industry that has radically changed over the past 50 years.

Pub Date: Nov. 29, 2012

ISBN: 978-1477285558

Page Count: 232

Publisher: AuthorHouse

Review Posted Online: Feb. 14, 2013

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Shalvis’ latest retains her spark and sizzle.


Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.

As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.

Shalvis’ latest retains her spark and sizzle.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296139-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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