JUSTICE

A prequel to Montana 1948 (1993), once again centered on the Hayden family of Montana, though this time the focus broadens beyond a small-town sheriff and his bad brother to explore the theme of justice in a series of intimate short stories. The collection is notable for its unrelenting tension, the result of texture and detail more than plot or conflict. The striking novella that opens the volume, ``Outside the Jurisdiction,'' shows brothers Wesley and Frank Hayden, sons of sheriff Julian, setting off with two no-accounts in 1924 for a town outside their father's jurisdiction. At a local cafe the boys—or at least the no-accounts—harass two Indian girls; the local sheriff humiliates them with ad hoc justice before sending them home. The next story, ``Julian Hayden,'' moves the action back to 1899, when their father arrived in Montana and began homesteading with his widowed mother and sisters; when one sister is overworked by a minister in another town, Julian takes justice into his own hands. Moving ahead seven years to 1906, ``Enid Garling'' tells the story of Julian's wife; she thwarts her possessive father by marrying Julian. ``Thanksgiving'' captures the family in 1927, when the sons return from college for the holidays and Wesley begins to understand that brother Frank is not to be trusted (a major theme in Montana 1948). Of the remaining episodes, ``Len McAuley'' profiles a deputy who develops a crush on Wesley's wife, Gail, in 1935; ``Sheriff's Wife'' and ``The Visit,'' both set in 1937, chronicle Gail's disillusionment with her husband's brand of frontier justice and the birth of their son, David. Episodic, but also an intense, vivid portrait of braided lives.

Pub Date: Feb. 1, 1995

ISBN: 1-57131-002-9

Page Count: 228

Publisher: Milkweed

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 1994

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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