In short: a must-have collection.
An outstanding edition from a perennial pushing into its ninth decade.
Rich in character, language and style, this year’s 20 O. Henry Prize–winners compiled by guest editors Kevin Brockmeier, Francine Prose and Colm Tóibín, and series editor Furman, include star turns by established masters of the form—Alice Munro’s breathtakingly sly “Passion,” about a rural girl who chooses risk over protection, and Deborah Eisenberg’s ferocious “Window,” in which a woman escapes violence only to live in the memory of it. Two stories by newcomers whose first published works augur great things to come are the mythical “Conceived,” by David Lawrence Morse, inspired by a Russian folk-art sculpture of a fish, and the elegiac father-son rift, “Mule Killers,” by Lydia Peelle. Other standouts are Edward P. Jones’s marvelous “Old Boys, Old Girls,” about an ex-con’s wary reunion with his family; Melanie Rae Thon’s “Letters in the Snow,” in which a desperate woman attempts to atone for her transgressions; and Stephanie Reents’s “Disquisition on Tears,” in which a headless woman makes a house call to a stranger who is dying. There are also two very different stories about desire, Lara Vapnyar’s “Puffed Rice and Meatballs” and Xu Xi’s “Famine,” that bring fresh cultural insight. As the opportunity for authors to publish in large circulation magazines wanes year by year, literary journals have begun to rise in prestige. Perhaps it is a sign of the times that 14 of these 20 stories come from nine small university publications and relatively new, mostly shoe-string budget, private enterprises (notably, the multiple entries from Cornell’s Epoch and the innovative One Story). Four of the remaining stories were first published in the New Yorker , the other two in Harper’s (two).
In short: a must-have collection.Pub Date: May 9, 2006
ISBN: 1-4000-9539-5
Page Count: 448
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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