Thoughtful and exciting, with wonderfully imagined characters.
A teenage girl with powerful abilities aids imprisoned gods and helps defend a village from evil scientists in this concluding installment of a trilogy.
Celeste Araia Nolan, about 14, is a survivor of The Event, a cataclysmic disaster that swallowed up her parents and led to many strange, fluxing transformations of people and animals. Everyone has copper skin; some creatures meld together, like Lou and Layla—a “spectacular fusion of peacock and horse.” In Books I and II, Celeste discovered she could fly, rescued a village of children, trapped two feuding gods, discovered the lair of insane scientists who caused The Event, and helped release Zoya, a giant octopus held captive by the scientists, from agony. “I’m more than just a girl. I’ve done things,” says Celeste. Now, with one member of her lost family restored, Celeste has a new mission: Release the gods from their prisons to restore the planet’s balance, bring two kidnapped children home, and defend her village from the villainous scientists, who are building an army of invasion. Meanwhile, Celeste is enjoying her mutual attraction with Nick, who stirs new feelings and makes her feel beautiful. With help from allies like Old Man Massive, a sentient mountain, Celeste discovers more about her powers and faces her greatest challenge yet—one that will change her forever. McHargue (Waterwight Flux, 2017, etc.) packs a lot into this fast-moving final volume. While backstory is well-integrated into the narrative, this isn’t a stand-alone novel. That said, in many ways this outing, with its clearly stated quest and thrilling showdown, is easier to follow than the first two. The trilogy’s side characters, often so bizarre due to the flux, are now more familiar and often possess a rare individual charm—such as Orville, an “emerald-winged man,” who has also been a French-speaking windup frog. Celeste’s young romance helps balance her superpowers; as she says, “I may not be just a girl, but I’m still a girl.” Among so many cookie-cutter YA fantasies, McHargue’s originality is a pleasure to encounter.
Thoughtful and exciting, with wonderfully imagined characters.Pub Date: March 6, 2019
ISBN: 978-0-9969711-3-3
Page Count: 213
Publisher: Strack Press LLC
Review Posted Online: May 24, 2019
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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