Imaginative characters that powerfully tap into myth.
With a world in flux, a teenage girl looks for answers from quarreling deities in this YA fantasy sequel.
Book I of the Waterwight series takes place a few years after The Event, a cataclysmic natural disaster that left strange effects in its wake, such as people and animals changing forms. Celeste Araia Nolan, about 14, discovers that she can fly; with help from often dreamlike figures (like Orville, a talking, winged Francophone frog), she saves a village of children. In Book II, moments after healing a toxic ocean, Celeste finds herself transformed into a dove. Two black ravens escort her into the clouds and to the old and tired god Odin, who wants her help to investigate what’s happening below and report back. Meanwhile, stragglers—some human, some distinctly odd—join the villagers, whose transformations and special powers are fluctuating. They face a new danger, according to Noor, a giant dragonfly, thanks to a dispute between Odin and his brother Kumugwe, the sea god. Events converge underwater when Celeste visits Kumugwe after escaping from Odin. She hopes to find her real parents. So do two sisters with a complicated history (one was rescued and raised by Kumugwe) who go in search of their scientist parents and their undersea lab. A great wrong must be righted in this hunt for the truth. McHargue (Hunt for Red Meat, 2017, etc.) again effectively offers images from dreamscape and myth in this intriguing follow-up novel. Though there are some standard YA tropes—post-apocalypse; teenage girl with special powers—the author goes beyond the expected with her original, striking characters. Merts, for example, has three heads atop a two-armed body; speaks only in haiku; and moves through the trees via hair braided into a long, prehensile whip. The plot is fast-moving, with action, danger, emotion, and moral choices; beneath all of this is a subtle environmental message embodied in the two scientists’ meddling with nature. Given her complicated narratives, McHargue could have helped readers with a prefatory summary of Book I, although she does provide backstory in the exposition.
Imaginative characters that powerfully tap into myth.Pub Date: Jan. 11, 2018
ISBN: 978-0-9969711-2-6
Page Count: 277
Publisher: Strack Press LLC
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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