A ponderously paced historical thriller.
A novel from Belfer (City of Lights, 1999) about the race to develop penicillin and other antibiotics during World War II.
Claire, a photographer with Life magazine, is sent to cover a groundbreaking discovery by scientists at Manhattan’s Rockefeller Institute. A mold seems to have generated a lifesaving drug, and doctors at the Institute are testing it on patients suffering from infections. Claire is deeply invested in her assignment—long ago, she lost a daughter to blood poisoning. She’s drawn to Jamie, the handsome doctor administering the trials. Now divorced, single-handedly raising son Charlie and tentatively healing her long estrangement from her Wall Street kingpin father, Rutherford, Claire is shocked when patients on the verge of recovery die—supplies of penicillin, grown haphazardly in bottles and bedpans, are too sparse for a complete course of treatment. When the United States enters the war after Pearl Harbor, pharmaceutical companies, including some still-familiar players like Merck and Pfizer, compete to be the first to mass-produce penicillin. The success of the war effort and, of course, scads of money are at stake. Jamie’s sister Tia, a Rockefeller mycologist, is investigating other antimicrobial agents found in soil, known as penicillin’s “cousins.” Tia has just isolated a particularly promising specimen when she falls from a cliff near the Institute—or was she pushed? The sample she was cataloguing, notable for its startling blue color, disappears. The government, with the cooperation of Life publisher Henry Luce, enlists Claire to document the progress Pharma is making on the penicillin front. Rutherford has an entrepreneurial interest in patentable antibiotics. When Nick, a doctor from an impoverished immigrant background, who had flirted with Tia, offers to sell Rutherford a strikingly cerulean “cousin,” Rutherford bites, but now he’s keeping secrets from Claire. Jamie, who’s engaged to Claire, returns from service in North Africa to find his romance disrupted by the fact that his prospective father-in-law might have ordered his sister’s murder.
A ponderously paced historical thriller.Pub Date: June 15, 2010
ISBN: 978-0-06-125251-8
Page Count: 544
Publisher: Harper/HarperCollins
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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