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THE PASSION OF THE PURPLE PLUMERIA

From the Pink Carnation series , Vol. 10

For fans enmeshed in this intricate world, a welcome installment which those new to the series might find a bit too in media...

The 10th in Willig’s witty series about Napoleanic-era spies focuses on a far-from-drowsy chaperone.

Gwen, lady companion to Jane, aka the notorious English spy Pink Carnation, is enjoying her sojourn in Paris. There, she is not a pitied, unmarriageable spinster but a proficient and daring spy in her own right: She sallies forth at night disguised as a gentleman to learn, among other state secrets, what Napoleon’s foreign minister, Talleyrand, is up to with a certain opera diva, Aurelia Fiorila. Too abruptly, Jane and Gwen are recalled to England: Jane’s sister Agnes has disappeared from her boarding school. At the school, Gwen meets Col. Reid, who’s come from India to reunite with the daughters he sent to England to be educated years before. Now, his daughter Lizzy has gone missing along with Agnes. Reid assumes the girls have taken refuge with his older daughter Kat in Bristol. After journeying there and learning, to Reid’s dismay, that Kat is now taking in laundry and living in a hovel, Reid and Gwen are set upon by brigands. Although Gwen handily fights them off by deploying her sword parasol, Reid is wounded. Mutual attraction smolders as Gwen nurses Reid back to health. Back with Jane's family in Bath, Gwen is alarmed that Jane seems so susceptible to the blandishments of the Chevalier de la Tour d’Argent, who is either a double agent or a charlatan or both. The plot thickens when the colonel and Chevalier escort the two spies to an opera performance starring Fiorila. Gwen chronicles and exaggerates the exploits of her alter ego, Purple Plumeria, in a swashbuckling novel in progress, the Convent of Orsino. A present-day frame story features Colin, a descendent of the Pink Carnation, and his Harvard historian girlfriend, Eloise. The writing is acerbic, arch and funny, but the complex back story demands familiarity with the earlier books.

For fans enmeshed in this intricate world, a welcome installment which those new to the series might find a bit too in media res.

Pub Date: Aug. 6, 2013

ISBN: 978-0-451-41472-4

Page Count: 480

Publisher: New American Library

Review Posted Online: June 22, 2013

Kirkus Reviews Issue: July 1, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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