Foos strives for a light touch, but the recurrent references here (hair, feet, ham sandwiches, the allure of Jewry and Elvis...
After tackling wombs and walruses in her previous fiction, whimsical satirist Foos uses her fifth outing to showcase a human horn and an all-too-human King.
There are two sisters in Anywhere, U.S.A. One is beautiful and one is not (except for her feet). The beautiful sister (and narrator) does her best by the town’s unbeautiful by working as a hair-replacement specialist. Her name is Cass (after Mama Cass), and her sister is Lena (after Horne). Their parents were sad-sacks who never understood their daughters and whose only pleasure in life was Elvis. Our Father (as the girls called him) once worked as a roadie for an Elvis impersonator, and, when older daughter Lena was 18, on the tenth anniversary of Elvis’s death, he and Ma left home for parts unknown. Now, 18 years later, Lena still believes they may return. The more practical Cass thinks that’s hooey, but plays along because she feels sorry for Lena, who experiences panic attacks and hasn’t left the house in eight years, since her marriage ended badly. Suddenly, Cass has her own problem, a bump on her forehead that seemingly will grow into a horn. Any connection with her childhood fixation on rhinos, or even with Elvis’s rumored rhinoplasty? Wordplay and her metabolism dictate that she feel horny, like her boyfriend, Vance, who mounts her in a frenzy. Cass consults a dermatologist, then a surgeon, and she winds up in a nuthouse where all the patients have different animal parts, though otherwise the place seems like the same old refuge for writers stumped for inspiration: forbidding hallways, white coats. Elvis, whose spirit has hovered over every page, comes to Cass’s rescue. Once she dons his cape, proffered by a sympathetic nurse, she’s home free.
Foos strives for a light touch, but the recurrent references here (hair, feet, ham sandwiches, the allure of Jewry and Elvis trivia) seem more like nervous tics than prompts for a sympathetic chuckle.Pub Date: May 1, 2005
ISBN: 1-56689-168-X
Page Count: 204
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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