Foos's satire is never quite on target—and never much more than clever.



An ambitious first novel that uses heavy-handed satire to illuminate current issues of sexual difference, reproduction, and media-hype.

When 30-ish Rita, long married to George, realizes that she's lost her uterus while buying shoes at the mall, she blames ``her ambivalent feelings about having children.'' But her efforts to get the uterus back provoke extraordinary events: George can't make love to her anymore, because the ``thought of the womb out in the world somewhere so cold and lifeless kills his erection every time''; her ad asking for help attracts a group of militant feminists, The Fruitless Wombs, who get her on the popular Nodderman TV show; and her appearance on Nodderman not only tremendously affects the women in the audience but so upsets one of them, Adele, that she finds her vagina has ``closed up shop''—and her boyfriend's efforts to reopen it with his carpentry tools only result in his injuring himself. As the media hype continues, demands for the red-heeled shoes Rita wore on the Nodderman Show lead to a run on red shoes, as well as growing foot fetishism, and men's increased erotic awareness of the uterus. The frenzy reaches its height when another woman, Lucy, begins menstruating in sympathy—and can't stop, though her flowing blood kills her dog. When Rita and Adele hear of this while appearing together on the Nodderman Show, they flee, hole up in a motel, and tell each other childbirth horror stories. Finally, though, a suicide by a hemophiliac who'd tied a plastic uterus round his neck makes Rita realize that ``she has a responsibility to put an end to the suffering on her behalf,'' and the women return to make new lives for themselves. Despite the graphic, sometimes grotesque descriptions and frenetically energetic writing,

Foos's satire is never quite on target—and never much more than clever.

Pub Date: April 1, 1995

ISBN: 1-56689-030-6

Page Count: 190

Publisher: Coffee House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1995

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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