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THE LOST GIRLS

Overwrought, overwritten, unpersuasive.

A great concept—why women fall for Peter Pans who never grow up—with a less than great delivery.

This time out, poet/second-novelist Fox (My Sister from the Black Lagoon, 1998) focuses on Wendy, the fifth generation of Darling women to make the flight to Neverland. The Darlings are, “like all women attracted to men who charm but don’t commit, lost girls” who find it difficult to settle down to reality. Peter, with his island, free-spirited ways, and his gift of flight, will forever haunt them as they try to find men as charming but more mature. Narrated by Wendy Darling Braverman, great granddaughter of J.M Barrie’s original Wendy, the story begins as 40-ish Wendy, living in San Francisco with husband Freeman and teenaged daughter Berry, is recovering from a breakdown. Both hurt and touched by magic, she feels that her family’s visits to Neverland—maybe illusionary—have distorted their lives. Her father, who founded an airline, was a charming man who deserted his family: aging Nana, in London, is still trying to fly, and grandmother Jane has been gone for years. Since childhood, Wendy knew about the family’s rite of passage—the appearance in adolescence of a charming boy with whom she’d fly to Neverland. Peter duly appeared, but Wendy’s visit was a disturbing mix of happy and bad memories (she may have been raped by Captain Hook) that continue to haunt her. Moving between past and the present, Wendy, a children’s storywriter, recalls her childhood and marriage as she prepares daughter Berry for Peter’s arrival. Berry, deeply troubled and conflicted, is the only Darling who can’t fly, finding it increasingly difficult to live with the Darling legend. When mother and daughter are hospitalized, the appearance of grandmother Jane, dressed as an aviatrix, helps Wendy understand herself, her family, and the hold that Peter has on them all—a gift that allows the Darling women to soar above the quotidian.

Overwrought, overwritten, unpersuasive.

Pub Date: Jan. 1, 2004

ISBN: 0-7432-1790-X

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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