Overwrought, overwritten, unpersuasive.
A great concept—why women fall for Peter Pans who never grow up—with a less than great delivery.
This time out, poet/second-novelist Fox (My Sister from the Black Lagoon, 1998) focuses on Wendy, the fifth generation of Darling women to make the flight to Neverland. The Darlings are, “like all women attracted to men who charm but don’t commit, lost girls” who find it difficult to settle down to reality. Peter, with his island, free-spirited ways, and his gift of flight, will forever haunt them as they try to find men as charming but more mature. Narrated by Wendy Darling Braverman, great granddaughter of J.M Barrie’s original Wendy, the story begins as 40-ish Wendy, living in San Francisco with husband Freeman and teenaged daughter Berry, is recovering from a breakdown. Both hurt and touched by magic, she feels that her family’s visits to Neverland—maybe illusionary—have distorted their lives. Her father, who founded an airline, was a charming man who deserted his family: aging Nana, in London, is still trying to fly, and grandmother Jane has been gone for years. Since childhood, Wendy knew about the family’s rite of passage—the appearance in adolescence of a charming boy with whom she’d fly to Neverland. Peter duly appeared, but Wendy’s visit was a disturbing mix of happy and bad memories (she may have been raped by Captain Hook) that continue to haunt her. Moving between past and the present, Wendy, a children’s storywriter, recalls her childhood and marriage as she prepares daughter Berry for Peter’s arrival. Berry, deeply troubled and conflicted, is the only Darling who can’t fly, finding it increasingly difficult to live with the Darling legend. When mother and daughter are hospitalized, the appearance of grandmother Jane, dressed as an aviatrix, helps Wendy understand herself, her family, and the hold that Peter has on them all—a gift that allows the Darling women to soar above the quotidian.
Overwrought, overwritten, unpersuasive.Pub Date: Jan. 1, 2004
ISBN: 0-7432-1790-X
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2003
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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