In this novel, a Jewish couple makes its way from Vienna to the silent movie theaters and opera houses of New York City and Rochester, New York.
Hugo Huber, the popular conductor of a silent movie house in New York City, is blessed with a wonderful family. The narrative shifts to his back story: Before he died, Hugo’s grandfather, cantor at a temple in Vienna, had financed his orphaned grandson’s violin training. With the continuing help of an aunt and uncle, Hugo eventually attended the Vienna Conservatory, where he met Liesl, daughter of the principal violinist of the Vienna Philharmonic. Soon after their marriage, they immigrated to America. Debonair Hugo first served as maestro of a New York City hotel orchestra, then conductor at the movie house. Liesl got involved in costume design at the Metropolitan Opera, encountering Enrico Caruso and others. Then, one of their two children fell ill, fueling the family’s desire for a more tranquil life. Hugo took a job as conductor for the movie house within George Eastman’s cultural complex in Rochester, New York. Unfortunately, other Eastman musicians were malcontents, and there was rampant anti-Semitism, causing the Hubers to further downplay their Jewish heritage. The novel concludes with the Klu Klux Klan planning a demonstration at the Hubers’ home, although the family survives this experience as well as the advent of talkies. In her afterword, White acknowledges that the Hubers are based on the parents of her North Carolina piano teacher, whose piano lessons provided “my first tantalizing taste of Europe.” She effectively mines the riches to be found in this couple’s story, with her novel offering colorful glimpses into the worlds of classical music and opera, Prohibition-era America, and the timing and scoring of music for silent films. Overall, the narrative is engaging, although it occasionally bogs down with nonchronological asides and ends rather abruptly. At its best, however, White’s novel is reminiscent of Ragtime in its fictional depiction of an emerging cultural change.
An entertaining, ambitious historical saga infused with a love of music and inspired by fascinating real-life figures.
Pub Date: May 2, 2014
ISBN: 978-1496101150
Page Count: 294
Publisher: CreateSpace
Review Posted Online: July 29, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Review Program: Kirkus Indie
PROFILES
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
