In his foreword to this "Novel for a New Age," as the publisher touts it, mystery maven Block (the Matt Scudder and Evan Tanner series, etc.) thanks 15 spiritual teachers for their "valuable assistance." Too bad none of these gums had the smarts to tell Block to shelve this naive, preachy, and dull offering about a ragtag band of pilgrims who achieve ersatz wisdom on their walk to nowhere. The first walker is Oregon bartender Guthrie Wagner, who one day hears a voice in his head say, "You could take a walk." Take a walk Guthrie does, quitting his job and stepping east. Right away, small miracles occur: he sleeps in near-freezing air and feels no chill; he gives up smoking without trying. Meanwhile, two others soon to cross paths with Guthrie go about their business: 30-ish Indiana mom Sara Duskin, losing her sight but gaining insight and vision; and serial killer Mark Adlon, a woman-hating, millionaire real-estate investor whose stalking and slaying of a slew of victims provides the only real suspense here. As Mark goes on a cross-country killing spree, Sara ups stakes and, young son in tow, follows her heart to Guthrie, who's now strolling along with a buddy he's picked up along the way. The quartet ambles on, joined by dozens, then scores of others who feel the irresistible pull to walk; miracle cures of cancer and paralysis balloon among the walkers as Sara, now the band's acknowledged gum, goes into a trance and reveals their purpose: "to cure the planet's cancer. . .when enough people are walking, the planetary consciousness will reach critical mass, and then everybody will just plain get it without walking." Even serial killers, it seems: when Mark finally feels the call and finds the walkers, they forgive him his murders—after all, as Sara tells him, "Is it your fault they're dead? No. Every death is a kind of suicide; the one who dies chooses it." Fair warning: Run, don't walk, away from this dull psychospiritual babble.
Pub Date: Oct. 17, 1988
ISBN: 1583483810
Page Count: 300
Publisher: Tor
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: Sept. 15, 1988
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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