by Lawrence Goldstone ‧ RELEASE DATE: May 6, 2014
A powerful story that contrasts soaring hopes with the anchors of ego and courtroom.
At the dawn of powered flight, the warfare for the air was as intense, if not as sanguinary, as war in the air would one day become.
Goldstone—author or co-author of more than a dozen fiction and nonfiction titles (Inherently Unequal: The Betrayal of Equal Rights by the Supreme Court, 1965–1903, 2010, etc.)—returns with a story little known to those unversed in aviation history: the battle Orville and Wilbur Wright fought with Glenn Curtiss to dominate the aviation market in the early years of the 20th century. Both would win and lose. After a brief prologue, Goldstone returns to the early theories and attempts at manned flight—Aristotle, Leonardo da Vinci and Galileo have cameos. The author then leaps to the late 19th century, then swiftly to Kitty Hawk, where the Wright brothers would achieve their immortality in 1903. He takes us through their design innovations and their false starts and hopes, and despite his patent admiration for the brothers, Goldstone also describes a surprising intransigence and even truculence in them. He then shifts focus to Curtiss (and ping-pongs back and forth between his two subjects the rest of the way), who was a brilliant designer, as well. The author describes the controversy between his two principals: Early in their relationship, a relationship that moved from amicable to hostile, did Curtiss steal ideas? The author then glides above history, directing our attention to the phenomenon of the air show, aerial competitions, the innovations in design, the crashes, the deaths and the slow emergence of women aviators. He also describes the grotesque determination of spectators to retrieve pieces of wreckage, even moments after a fatal crash. The Wright brothers became embroiled in countless lawsuits with Curtiss and others as history inevitably flew away from them.
A powerful story that contrasts soaring hopes with the anchors of ego and courtroom.Pub Date: May 6, 2014
ISBN: 978-0-345-53803-1
Page Count: 448
Publisher: Ballantine
Review Posted Online: March 3, 2014
Kirkus Reviews Issue: March 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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