by Lawrence Goldstone ‧ RELEASE DATE: May 24, 2016
“Horse Is Doomed,” read one headline in 1895. This highly readable popular history tells why.
The creation of the American automobile.
Goldstone (Birdmen: The Wright Brothers, Glenn Curtiss, and the Battle to Control the Skies, 2014, etc.) offers a wonderful, story-filled saga of the early days of the auto age. Against the background of late-17th-century attempts to use controlled explosions as a power source and the eventual rise of German and French carmakers, the author traces the development of American car manufacturing through the lives and work of a colorful cast of entrepreneurs and innovators, most notably Henry Ford (1863-1947), a farmer’s son whose Model T would make him America’s richest man, and George Selden (1846-1922), a judge’s son whose patent for an automobile he never built spawned an industry. Ford dominates the narrative: at once charismatic and enigmatic, he was a marketing genius—the Steve Jobs of his time—who, contrary to legend, did not invent the automobile or mass production but made his fortune by selling the inventions of others. He converted “ideas to cash,” which, writes Goldstone, is the definition of innovation. In the process, Ford betrayed associates, borrowed ideas, and notoriously took credit for the work of others. He would clash in courtroom encounters with the visionary Selden, the first American to apply the nascent technology of internal combustion to powering a “road carriage.” Lacking funds to build such a vehicle, Selden patented his idea and subsequently collected licensing fees from makers of motorcars. While aspects of Goldstone’s book will be familiar to auto buffs, the story is so compelling and well-crafted that most readers will be swept up in his vivid re-creation of a bygone era. The book abounds with detailed accounts of races, auto shows, and heroic cross-country journeys and explains in plain English the advances in automotive engineering that transformed early vehicles from playthings of the wealthy to functional, low-cost cars for the masses.
“Horse Is Doomed,” read one headline in 1895. This highly readable popular history tells why.Pub Date: May 24, 2016
ISBN: 978-0553394184
Page Count: 400
Publisher: Ballantine
Review Posted Online: March 21, 2016
Kirkus Reviews Issue: April 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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