The rousing, tearjerking last of a trilogy (Imagining Argentina, 1987; Naming the Spirits, 1995) involving Argentine psychic Carlos Rueda. Though only bit players here, Rueda and his daughter Teresa appear among many eerie, magical-realist touches in this richly, evocatively told, blood-is-thicker-than-blood melodrama. As the proud and fatuous Argentine General Rodolfo Guzm†n attends the christening of his grandson, hoping that the future generation will benefit from the horrors he's committed, Dolores Masson, a grandmother, still mourns the loss of her family in Buenos Aires' Plaza de Mayo, especially her two grandsons, then infants, who were among the desaparecidos—the unknown millions abducted, tortured, and murdered by the country's now-deposed military junta. Refusing to give up hope, Masson visits Rueda and Teresa and is told that the boys, now teenagers, are alive and well in the remote fishing village of Mar Vista. Masson immediately departs for Mar Vista, hoping to bring the boys back home but failing to consider how the intervening years may have affected them. Indeed, Manfredo and Tom†s have no memory of their real parents, or even of their former names. To make matters more complicated, General Guzm†n, possibly implicated in yet another revelation of political atrocities committed while the military was in power, gave the boys to their foster parents, Eduardo and Biatrix Ponce, who once tended a killing field for him. Causing more emotional harm than good, Masson, with her knowledge of the boys' birthmarks, gets custody while the two undergo genetic testing. The general, fearing exposure of darker deeds, tries to sabotage the tests, setting off a series of suspenseful, grandly tragic plot twists ultimately leading to suicide, murder, and a rain of lamentation. For all its operatic pomp, Thornton's vision of beyond-the-grave revenge and retribution comes off as heartwrenchingly sincere. A simmering, passionately satisfying, character-driven finale. (Author tour)
Pub Date: Nov. 5, 1997
ISBN: 0-385-48010-5
Page Count: 272
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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