by Leah Hager Cohen ‧ RELEASE DATE: May 12, 2003
Rigorous and accomplished, but it could use some of the warmth that pervades Cohen’s nonfiction.
A second outing by astute cultural critic Cohen (The Stuff of Dreams, 2001, etc.) discovers a lot of angst in Brooklyn.
From the bleachers of the Prospect School in Brooklyn, high-school junior Ann James kind of falls and kind of jumps, fracturing both heels in late December. Now she needs tutoring in her Brooklyn Heights home from Prospect math teacher Esker (she prefers to go by her last name), a withdrawn immigrant from upstate New York. Ann’s father, Wally, runs the trendy West Village restaurant Game, established with the inheritance of his gone-though-not-ex-wife Alice, who left three years earlier to become an indie movie star. Ann thinks Wally and Esker would be a good match, and one agreeable dinner suggests that that might be so, until Alice interrupts it. But this isn’t a story about romantic rivalry; the author is most interested in Esker’s wounds from a college love affair and a bleak childhood. True, Wally’s perhaps unduly agreeable personality and Ann’s adolescent confusions also get a fair amount of attention, paid in prose sometimes a little too exquisite, like the Christmas presents the James family exchanges: “ . . . very subtle and witty and charming presents, all boasting a certain kind of intimate and hard-won knowledge of one another, all a bit self-congratulatory in their celebration of life” (this is supposedly 16-year-old Ann’s insight). Ann rehearses a nouveau-beatnik dance with best friend Hannah and heartthrob Malcolm while Wally pursues Esker, who’s wrestling the ghost of the lover who left her to marry within his faith. Nothing much happens between the adults, but the school’s headmistress threatens Esker’s job anyway. The downbeat finale chimes with what we’ve seen throughout of Esker’s emotional scars, but it’s hard to feel more than detached empathy for someone so quick to cut herself off from human contact. Ann and Wally are left adrift in the middle of their stories.
Rigorous and accomplished, but it could use some of the warmth that pervades Cohen’s nonfiction.Pub Date: May 12, 2003
ISBN: 0-670-03167-4
Page Count: 224
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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