With a playwright’s precise, sometimes excoriating dialogue and an insightful novelist’s judicious use of interior...
A professor who raised her late sister’s three children grapples with the long-term consequences.
At 28, Eloise is a rising star in Harvard’s history department, having just published a much acclaimed book. She’s prepared for a fulfilling academic career but not for the phone call she receives from her 11-year-old niece, Theo, telling her that she and siblings Josh, 9, and Claire, 2, need her to return home to Cincinnati immediately. The children’s vacationing parents have perished in a helicopter crash, and their grandmother, Francine, is lying in bed, unable to cope or even phone Eloise about the tragedy. Seventeen years later, the makeshift family is at a turning point. In less-than-free-wheeling Cincinnati, Eloise is loath to come out as a lesbian, although her lover is pressuring her for a commitment. She’s had to settle for a less prestigious position at a local college in order to raise her nephew and nieces in their preferred domicile, Francine’s large, crumbling Cincinnati home. (The narcissistic oldster has long since departed for Sewanee, where she makes trouble from a distance.) Josh was once a near-famous rock star before giving up music to please a manipulative girlfriend, who has since dumped him. Theo, now 28, has followed her aunt into academe but is stalled in her dissertation and her love life. Ballet prodigy Claire, 19, the only one to achieve escape velocity from Cincinnati, has left for NYC…until by chance, Theo spots her on the street, Cincinnati being not all that big a town. Francine has complicated matters by reneging on her promise to sign the house over to Eloise. Now, the Machiavellian matriarch insists that she’ll give it to whoever marries first. This hook is not as gimmicky as it seems. Rather, it forces Eloise and her charges to fully examine their connection to each other and to the world.
With a playwright’s precise, sometimes excoriating dialogue and an insightful novelist’s judicious use of interior monologue, Stewart crafts a tearful yet unsentimental family coming-of-age story.Pub Date: Jan. 8, 2013
ISBN: 978-1-4516-7262-6
Page Count: 384
Publisher: N/A
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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