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HOLIDAY IN YOUR HEART

A child country-music star, forced to choose between family and success, is guided by an angel in this music-video-on-paper that's been cobbled together by (surprise!) a child country-music star and her adult helper. It's yuletide in Nashville, and 14-year-old Anna Lee is in town to appear at the Grand Ole Opry—having become a sensation her first time around. Daughter of a blue-collar, part-time musician and veteran of nine years on the small-town bandstands of Mississippi and Texas, Anna appreciates the fact that the record- company meetings scheduled for this visit can make or break her career. Yet, when her father's favorite country singer from the '40s, now in serious decline, invites her to kill a day touring the town with her, Anna can't resist. The next morning, though, while Anna's waiting for her new friend (``I can't tell her name''), she receives a call saying that beloved Grandma Teeden in Mississippi is in the hospital with serious heart trouble. Can Anna rush to her granny's bedside? Guiltily, she claims that business concerns force her to stay where she is—and then she rushes off for her day on the town. Strangely, though, Anna's new friend shows her not only the famous old musicians' hangouts but such grittier ``musicians'- life'' locales as the bus station through which the failures shuffle back home. Anna even finds herself on a bus headed out to the countryside, where her companion tells her of a blizzard that once buried an entire busload of people, including herself, for days. The moral? Well, a chastened Anna, filled suddenly with family loyalty above all else, is eager to go back to Grandma and home. But when Anna tells her dad who she spent the day with, he claims that that singer has been dead for years. . . . Consumer product more than creative work, with copyright held not even by an author, but by LeAnn Rimes Entertainment, Inc. (Author tour)

Pub Date: Nov. 1, 1997

ISBN: 0-385-49087-9

Page Count: 119

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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