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Al-Kabar

An absorbing fantasy novel that delivers many satisfactions.

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In French’s (Superheroes in Denim, 2016, etc.) fantasy novel, a young woman gains magical powers and sets out to avenge her slaughtered family.

For 18-year-old Fakhira at Aitrae Oasis in Ilauris, a fantasy world similar to ancient Arabia, the future looks simple: she’ll marry the man her father chose for her, a guardsman for Caliph Korval. But then her father’s rival Caliph Trimar’s forces attack the Oasis; Fakhira manages to hide, but her family is brutally murdered. On her way to sanctuary in Korval’s city, Kamrik, Fakhira falls through a crack in the ground into a pool of water. While she’s submerged, whispering voices address her as “Al-Kabar,” urge her to “Go forth and fight for freedom,” and give her a special sword. Using her new, magical powers, Fakhira plans to disguise herself as a man named Al-Kabar, join Korval’s army, and attack Trimar. She soon rescues a thin young man called Tahjis the Rat from thugs in Kamrik. He sees through Al-Kabar’s disguise but makes a deal to help her. Soon she gets close to Korval and gains his confidence, but she discovers that avenging her family is more complex than she thought, with innocent lives in the balance and more factions vying for power than she’d realized. But if she gets it right, Tahjis’ prediction may come true: that “The time of greedy, power-hungry men leading our people is over. The time of the Al-Kabar has come.” French offers an intriguingly layered world in this novel, taking what could be a simple revenge story and making it far more engaging by considering such things as unintended consequences and competing interests. Her worldbuilding is three-dimensional and subtly realized; for example, Fakhira’s culture, while clearly patriarchal, is also matrilocal. French’s voice is strong and vivid, never succumbing to the overwrought style that often plagues other fantasy books; the dialogue, too, is natural and unstilted. The unpredictable plot features some plans that work and others that fail, and it moves at a fast clip, nicely weaving in romantic elements between the battle scenes.

An absorbing fantasy novel that delivers many satisfactions.

Pub Date: Aug. 30, 2015

ISBN: 978-1-68063-032-9

Page Count: 356

Publisher: Myrddin Publishing Group

Review Posted Online: July 15, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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