A warm, poignant memoir from a reliably smooth voice.
Award-winning novelist Smith (Guests on Earth, 2013, etc.) recalls growing up in a small Virginia coal town and the indelible influence that background had on her adult life.
Situated in the mountains of southwest Virginia, Smith’s hometown of Grundy was beautiful but isolated. The author’s mother, a Virginia East Shore outsider locals called a “foreigner,” was a home economics teacher. Her father, a native son, owned the local dime store, where Smith typed on his typewriter and observed clients and employees from behind a one-way office window. “It was the perfect early education for a fiction writer,” she writes. As passionate as Smith’s mother and father were about each other, they each suffered from periods of the mental illness that would later strike Smith’s son. Yet the family household—and Smith herself—managed to stay whole thanks to the intervention of dear friends. Eventually, the author left Grundy for Hollins College, where she wrote “relentlessly sensational” fiction that deliberately avoided all references to her hometown. Only after attending a reading by Eudora Welty, a woman who “hadn’t been anywhere much either,” did Smith realize that the best stories truly did come from what she knew rather than from her fantasies. In her professional life as a writer, which eventually took her to an academic position at North Carolina State University, Smith learned yet another important lesson, this time from a palsied and eccentric creative writing student name Lou Crabtree. Unschooled as she was, Lou’s work evoked “a primal world of river hills and deep forest, of men and women and children as elemental as nature itself, of talking animals and ghosts, witchcraft and holiness,” and made Smith love and appreciate her “hillbilly” background more than she ever imagined. Candid and unsentimental, Smith’s book sheds light on her beginnings as writer while revealing her resilience and personal transformations over the course of a remarkable lifetime.
A warm, poignant memoir from a reliably smooth voice.Pub Date: March 22, 2016
ISBN: 978-1-61620-502-7
Page Count: 224
Publisher: Algonquin
Review Posted Online: Nov. 28, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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