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GUESTS ON EARTH

Smith brings to life the world of Highland Hospital, where the line between staff and “guests” often blurs, but Evalina is a...

Smith (Mrs. Darcy and the Blue Eyed Stranger, 2010, etc.) jumps on the bandwagon of recent interest in Zelda Fitzgerald, bringing to fictional life Asheville’s Highland Hospital, where Zelda and eight other patients died in a fire in 1948.

Right off the bat, narrator Evalina likens herself to Nick Carroway, asking, “Is any story not the narrator’s story?” Perhaps, but while The Great Gatsby dominates Nick’s story, Zelda makes only guest cameos in Evalina’s narration. Evalina spends her early childhood in New Orleans until her courtesan mother’s death. In 1936, after attempting to move her in with his respectable family, her mother’s wealthy lover sends adolescent Evalina to Highland Hospital as a combination patient, guest, and ward of Dr. and Mrs. Carroll. The Carrolls are historical figures, Dr. Carroll famed for treating physiological ailments with diet and exercise rather than introspection or analysis, Mrs. Carroll for her skills as a pianist—her most famous student, Nina Simone, has a walk-on here. Evalina soon meets the extremely mercurial Zelda, who treats her as a stand-in for Scotty, and later witnesses the Fitzgeralds lunching unhappily together at Asheville’s Grove Park Inn. Evalina also conveniently listens to other characters describe the Fitzgeralds in long-winded detail that adds nothing new. Evalina shows musical talent, and the Carrolls eventually send her to Philadelphia to study at Peabody. She becomes the accompanist/lover of a talented but philandering Italian tenor. After losing him and the baby he didn’t want, she returns to Asheville and undergoes shock treatment, newly instituted at the hospital. Ensconced in the halfway house attached to the hospital, Evalina is carrying on two contradictory romances by the time Zelda returns in the late 1940s, a shell of the glamorous woman she seemed a decade earlier. Evalina hints at various possibilities but leaves what caused the fatal fire a mystery.

Smith brings to life the world of Highland Hospital, where the line between staff and “guests” often blurs, but Evalina is a mishmash of clichés, while Zelda remains a rehash.

Pub Date: Oct. 15, 2013

ISBN: 978-1-61620-253-8

Page Count: 368

Publisher: Algonquin

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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