A warm, poignant memoir from a reliably smooth voice.
Award-winning novelist Smith (Guests on Earth, 2013, etc.) recalls growing up in a small Virginia coal town and the indelible influence that background had on her adult life.
Situated in the mountains of southwest Virginia, Smith’s hometown of Grundy was beautiful but isolated. The author’s mother, a Virginia East Shore outsider locals called a “foreigner,” was a home economics teacher. Her father, a native son, owned the local dime store, where Smith typed on his typewriter and observed clients and employees from behind a one-way office window. “It was the perfect early education for a fiction writer,” she writes. As passionate as Smith’s mother and father were about each other, they each suffered from periods of the mental illness that would later strike Smith’s son. Yet the family household—and Smith herself—managed to stay whole thanks to the intervention of dear friends. Eventually, the author left Grundy for Hollins College, where she wrote “relentlessly sensational” fiction that deliberately avoided all references to her hometown. Only after attending a reading by Eudora Welty, a woman who “hadn’t been anywhere much either,” did Smith realize that the best stories truly did come from what she knew rather than from her fantasies. In her professional life as a writer, which eventually took her to an academic position at North Carolina State University, Smith learned yet another important lesson, this time from a palsied and eccentric creative writing student name Lou Crabtree. Unschooled as she was, Lou’s work evoked “a primal world of river hills and deep forest, of men and women and children as elemental as nature itself, of talking animals and ghosts, witchcraft and holiness,” and made Smith love and appreciate her “hillbilly” background more than she ever imagined. Candid and unsentimental, Smith’s book sheds light on her beginnings as writer while revealing her resilience and personal transformations over the course of a remarkable lifetime.
A warm, poignant memoir from a reliably smooth voice.Pub Date: March 22, 2016
ISBN: 978-1-61620-502-7
Page Count: 224
Publisher: Algonquin
Review Posted Online: Nov. 28, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
