A readable account for Kravitz fans.

LET LOVE RULE

The singer/songwriter reflects on his early family life and the launch of his career.

In this rapidly paced, mildly engaging memoir, Kravitz recalls the many events that influenced his younger self before making it in the music industry with the hit album Let Love Rule (1989). His mother was actress Roxie Roker of The Jeffersons, and his father was TV producer Sy Kravitz. Throughout, the author draws on the dual aspects of his upbringing. “I am deeply two-sided,” he writes. “Black and white. Jewish and Christian. Manhattanite and Brooklynite. My young life was all about opposites and extremes.” The author writes lovingly about his family members—including Sy, who “lived in a framework of extreme discipline” and withheld affection—and how their varied cultural experiences were a source of enrichment and support. Through his family connections, he also encountered a number of influential recording artists, including Miles Davis, Sarah Vaughan, and Herbie Hancock (there’s plenty of name-dropping in the book). According to Kravitz, he resisted several lucrative recording deals before landing as a solo artist with Virgin Records. He was focused on authenticity and finding his true voice, an approach further inspired by his relationship with Lisa Bonet. “Lisa was bringing out something in myself I’d never seen before,” he writes. “The poetry of my soul. She gave me courage, inspired me, changed my whole artistic attitude.” Though Kravitz attempts to demonstrate his street credentials, describing his “nomad” experiences crashing at friends’ apartments while seeking local gigs, the narrative, co-authored by veteran ghostwriter Ritz, has the slick feel of a standard-issue celebrity memoir. The text lacks the grit and deeper, soul-baring substance of notable recent music memoirs by the likes of Carrie Brownstein, Patti Smith, and Flea. In comparison, this book reads like an extended acknowledgements page; the author is grateful to those who helped him, but he rarely expresses the sensation of meeting and overcoming obstacles along his journey.

A readable account for Kravitz fans.

Pub Date: Oct. 6, 2020

ISBN: 978-1-250-11308-5

Page Count: 272

Publisher: Henry Holt

Review Posted Online: Oct. 6, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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A lively and thoughtful memoir that, one hopes, will inspire readers to pursue activism in every realm of society.

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PERSIST

The Massachusetts senator and financial reformer recounts several of her good fights over the years.

Famous for being chided for “persisting” on the Senate floor, Warren is nearly a byword for the application of an unbending, if usually polite, feminism to the corridors of power. Though she has a schoolmarm-ish air—and indeed taught school for much of her life—she gladly owns up to liking a beer or two and enjoying a good brawl, and she’s a scrapper with a long memory. In 2008, when she shopped a proposal to found a federal agency that “could act as a watchdog to make sure that consumers weren’t getting cheated by financial institutions,” she encountered a congressman who “laughed in my face.” She doesn’t reveal his name, but you can bet he crosses the hall when she’s coming the other way. Warren does name other names, especially Donald Trump, who, with Republicans on the Hill, accomplished only one thing, namely “a $2 trillion tax cut that mostly benefited rich people.” Now that the Democrats are in power, the author reckons that the time is ripe to shake off the Trump debacle and build “a nation that works, not just for the rich and powerful but for everyone.” She identifies numerous areas that need immediate attention, from financial reform to bringing more women into the workplace and mandating equal pay for equal work. Warren premises some of these changes on increased taxes on the rich, happily citing a billionaire well known for insider trading, who complained of her, “This is the fucking American dream she is shitting on.” The author reverts to form: “Oh dear. Did I hit a nerve?” Warren’s common-sensical proposals on housing, infrastructure development, and civil rights merit attention, and her book makes for a sometimes-funny, sometimes–sharp-tongued pleasure.

A lively and thoughtful memoir that, one hopes, will inspire readers to pursue activism in every realm of society.

Pub Date: May 4, 2021

ISBN: 978-1-250-79924-1

Page Count: 320

Publisher: Metropolitan/Henry Holt

Review Posted Online: May 2, 2021

Kirkus Reviews Issue: May 15, 2021

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