As characterized here, Becky doesn’t earn the equal time she clamors for.
A supporting character in Twain’s The Adventures of Tom Sawyer gets her own novel.
Reviewing her past at 70, Becky Thatcher means to set the record straight. She wasn’t the prissy crybaby portrayed in her old schoolmate Sam Clemens’s bestselling book. She wasn’t just rascally Tom Sawyer’s schoolyard crush—she was his lover and the mother of his child. She was a tomboy who snuck out at night to tail Tom and Huck Finn on their mischief missions around Hannibal, Mo. And Clemens got it wrong about that graveyard murder. Muff Potter, not Injun Joe, was the culprit, and Becky’s first rupture with Tom happened because he inculpated Joe. Grown-up Becky marries Tom’s cousin Sid. Tom pilots riverboats and Huck skulks around Hannibal, a human cipher. When Sid enlists to fight, and Missouri is ravaged by Civil War shortages and marauding gangs, Becky helps her father, Judge Thatcher, escape arrest for treason. Her infant son Tyler has died, leaving only Gage, her son conceived in a tryst with Tom—a secret she withholds from Sid. Dressing as a soldier, Becky follows the troops and rescues Sid. On their return to Hannibal they witness a steamboat explosion in which Tom is lost. The couple head west to join the Nevada gold rush. Sid discovers a rich silver vein, but is killed by vigilantes. Now a wealthy widow, Becky journeys with Gage and her new daughter by Sid to San Francisco. Encouraged by Sam, she becomes a newspaperwoman. But Becky still yearns for Tom and regrets deceiving Sid. A telegraph from Hannibal reveals that Tom is alive, but desperately ill in Panama, where he and Huck had gone for their latest adventure. Becky must follow them one last time. Feisty Becky and charismatic Tom are still, in Hart’s retelling, unable to transcend their Twain-fostered public images. Huck’s best friends ultimately appear to be as unknowable as he is.
As characterized here, Becky doesn’t earn the equal time she clamors for.Pub Date: Jan. 8, 2008
ISBN: 978-0-312-37327-6
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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