Alvin’s excitable, first-person narration, replete with his realistic attempts to make sense of what he doesn’t understand,...

ALVIN HO

ALLERGIC TO BABIES, BURGLARS, AND OTHER BUMPS IN THE NIGHT

From the Alvin Ho series , Vol. 5

 

Alvin Ho’s lovable, quirky family is due to increase by one in this fifth installment of the warmly funny series, which again features vibrant, playful black-and-white illustrations by Pham. Though his mom assures a dubious Alvin that she told him months ago about her pregnancy, his new sibling’s imminent arrival introduces a whole new set of worries for nerve-wracked Alvin. Paramount among them is his misunderstanding that the “simply pathetic” (read: sympathetic) pregnancy his mother suggests he’s experiencing will result in him actually giving birth. Described in short, dialogue-driven chapters and in keeping with the enjoyably over-the-top tone that has come to define the ongoing story, Alvin’s anxiety (which includes an inability to speak at school) creates a host of situational comedies that the adults in his life must help him resolve. Alvin’s father’s absence due to a business trip is notable in this latest, and it results in Alvin’s leaning more heavily on his older brother, Calvin, whose current interest in Rube Goldberg devices makes for some predictably hilarious solutions to problems. The ending glossary, also a fixture of the series, offers creative definitions of terms as diverse as dim sum and nor’easter.

Alvin’s excitable, first-person narration, replete with his realistic attempts to make sense of what he doesn’t understand, will again infect readers with its goofiness. (Fiction. 7-10)

Pub Date: April 9, 2013

ISBN: 978-0-375-87033-0

Page Count: 192

Publisher: Schwartz & Wade/Random

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: March 1, 2013

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Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic.

STICKS AND STONES

Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.

After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)

Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)

Pub Date: Oct. 6, 2020

ISBN: 978-1-5344-2622-1

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

ESCAPE FROM BAXTERS' BARN

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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