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JEAN-JACQUES ROUSSEAU

RESTLESS GENIUS

A vigorous, lucid biography of perhaps the most influential thinker of his day, with plenty of juicy gossip about his...

Thoroughgoing life of the often disagreeable, uncharismatic and world-transformative philosopher, he of “Mankind is born free and is everywhere in chains” renown.

The French edition of Jean-Jacques Rousseau’s complete published works runs to 10,000 pages, though Rousseau, characteristically, wished late in life that he had not written a word. As Damrosch (Literature/Harvard Univ.) shows, anyone who had known young Rousseau would not have bet on his becoming world-famous in his own lifetime. Rousseau, Damrosch writes, was the motherless son of a Geneva watchmaker—no disqualification, for, as an 18th-century thinker noted, the artisans of the city “were fond of reading the works of Locke and Montesquieu” and were in many instances thoroughly radicalized. Rousseau’s father spirited away a good bit of the inheritance that was supposed to one day be the son’s, and when he remarried, Jean-Jacques presciently went out the door to seek his fortune on his own. He proved a poor apprentice though a sometimes helpful servant, and he insinuated himself in a few noble households while pondering what to do next, one observer volunteering that the best he could aspire to was “becoming a village priest.” Rousseau chose another path, devouring a few libraries with the hungriness and half-method of an autodidact, then unleashing a torrent of words on the world of the dawning Enlightenment. One of the chief virtues of Damrosch’s always virtuous biography—apart from accounting for Rousseau’s late, little-studied years—is his close reading of Rousseau’s oeuvre, from minor prose poems to major treatises such as Èmile and The Social Contract, which reconciles the events of his subject’s never easy life with the often contradictory ideas he came to espouse about such things as the noble savage and social equality, for which he is still remembered.

A vigorous, lucid biography of perhaps the most influential thinker of his day, with plenty of juicy gossip about his extracurricular life.

Pub Date: Nov. 1, 2005

ISBN: 0-618-44696-6

Page Count: 592

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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