Padura capably works here in Perez-Reverte territory, where art and ideas meet mayhem. Smart and satisfying though too long...
Cuban mysterian Padura (The Man Who Loved Dogs, 2013, etc.) returns with another installment in his Mario Conde detective series, this one following a Rembrandt portrait over centuries and continents.
Conde, as Padura’s fans know, is a former cop–turned-investigator, suspicious of everyone and everything. It turns out that, to supplement his income as all Cubans on the island must, he’s developed a sideline in the book trade—and has done pretty well for himself as a scout for one Yoyi the Pigeon, an entrepreneurial young “engineer who had never touched a screw or entered any job sites.” It’s in that guise that Conde falls in with a painter, Daniel Kaminsky, who is on the track of a missing treasure: long ago, an ancestor had come into the possession of a small Rembrandt portrait that had traveled with the family across a bitterly anti-Semitic Europe for centuries until arriving in Cuba with a shipload of refugees aboard the ill-fated Saint Louis; that painting, writes Padura, had variously been “a secret, a family heirloom, and, in the end, a jewel on which the last Kaminskys to enjoy owning it would place their greatest hopes for salvation.” Why a Jew of modest means should have been carrying a work of art by the Master in the first place turns out to be the crux of a story that Padura spins off to incorporate numerous threads—in fact, four main strands of them in four separate books that run backward, biblically, from Daniel to Genesis, and that hop from place to place: Havana, Miami, Krakow, Amsterdam. There are real heretics behind the title of Padura’s book, but the term embraces all sorts of outsiders, from Yoyi, who represents something like the fall of socialist man, to young Cuban neo-rebels (“hearing two lesbian confessions on the same day…exceeded his capacity for understanding”) and the hidden marrano Jews of the New World.
Padura capably works here in Perez-Reverte territory, where art and ideas meet mayhem. Smart and satisfying though too long by 100 pages.Pub Date: March 14, 2017
ISBN: 978-0-374-71678-3
Page Count: 544
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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