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JEZEBEL

THE UNTOLD STORY OF THE BIBLE’S HARLOT QUEEN

Jews, Muslims and Christians alike may take offense to Hazleton’s contribution to plurality.

A dogged defense of one of the Bible’s most controversial characters, used to grind a few axes.

Hazleton (Mary: A Flesh-and-Blood Biography of the Virgin Mother, 2004 , etc.) aims to peel back centuries of slander and misconception about the character of Jezebel, utilizing modern archeological evidence, textual criticism and her own Mid-East experience. However, she leaps beyond the realm of biblical criticism to create a character all her own. The author’s Jezebel is a beautiful, proud, cosmopolitan queen, a model of civility set against the rugged milieu of backwater Israel. She is also virtually guiltless, her only fault apparently being a well-earned arrogance as the worldly queen of the uncouth. Hazleton presents Jezebel in such a light largely to juxtapose her to her arch-enemy, the prophet Elijah—who the author palpably, almost viciously, disdains. But Hazleton’s rehabilitation of Jezebel is a secondary aim. Her main theme is what she sees as an ageless struggle between civilized plurality and tolerance on one hand, and destructive fundamentalism on the other. Elijah—who she compares to both al-Qaeda operative al-Zawahiri and Yigal Amir, Yitzhak Rabin’s assassin—is squarely in the fundamentalist camp. The prophet, described as “downright feral,” is the antithesis of Hazleton’s Jezebel, who understood tolerance and statecraft and stood almost alone in ancient Israel against “fanaticism and intolerance.” The implications for today are obvious: “Elijah issues the classic challenge, heard everywhere from Islamist madrasas and hard-line yeshivas to evangelical seminaries: you’re one of us, or one of them.” The author’s attempt to resurrect the reputation of Jezebel is certainly hindered by her own heavy-handed rhetoric. She argues correctly that Jezebel’s name has been used (and misused) throughout time for the purposes of advancing separate arguments. But with this book, she does exactly that.

Jews, Muslims and Christians alike may take offense to Hazleton’s contribution to plurality.

Pub Date: Oct. 16, 2007

ISBN: 978-0-385-51614-3

Page Count: 272

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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