Shenny starts her narration by warning that first impressions “can be dead wrong,” but there’s never a question as to who’s...
In Kagen’s hardcover debut (Land of a Hundred Wonders, 2008), a young Virginia girl puzzles over her mother’s disappearance.
It is 1969, shortly before the moon landing and one year since Shenny’s mother Evie, an educated, liberal Yankee whom Shenny’s father married against his family’s wishes, disappeared. Shenny’s twin sister Woody—the girls are 11 when the story opens—has stopped speaking and their father Walter, a respected judge from the influential Carmody family, has become a raving drunk who locks the girls in the root cellar overnight when they disobey his orders to stay home in order to avoid communication with anyone outside the family. Tomboy Shenny and increasingly fragile Woody disobey frequently, visiting the friends Evie cultivated behind her husband’s back as their marriage soured. The girls are especially fond of Beezy, an elderly black woman who was once a Carmody servant, and her handsome, blue-eyed son Sam, who used to be a police detective in Illinois before he came home to run a gas station. Since no body or clues have been found, the local sheriff investigating Evie’s disappearance seems to have hit a dead end. Shenny starts her own investigation with no better luck. Her acuity is questionable. Although she claims to be surprised by her father’s transformation from loving to abusive father, she was aware of the troubles in her parents’ marriage which involved Walter’s attempts to bully Evie the same way his father and brother bully all the women in their lives. The Carmody men are cartoonishly evil—rich, misogynistic, predatory and racist—while Shenny’s Carmody grandmother is a Catholic religious fanatic. Although Kagen makes references to cultural touchstones like Vietnam and the moon landing, her version of 1969 Virginia veers from anachronistically innocent to anachronistically backward. And Shenny’s determined pluck seems both too innocently young and too precocious to coalesce into a believable 12-year-old.
Shenny starts her narration by warning that first impressions “can be dead wrong,” but there’s never a question as to who’s good or bad in her story.Pub Date: April 1, 2010
ISBN: 978-0-525-95154-4
Page Count: 352
Publisher: Dutton
Review Posted Online: Oct. 5, 2010
Kirkus Reviews Issue: Feb. 15, 2010
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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