IRREPRESSIBLE

THE LIFE AND TIMES OF JESSICA MITFORD

A valuable retelling of a provocative life.

Insightful biography of renowned muckraking journalist Jessica Mitford (1917–1996).

Born into a life of British aristocracy, at age 12 Mitford wrote a letter to a London bank requesting to open a “Running Away Account.” Her action, even at such a young age, was emblematic of the life she would lead—that of an outsider, an activist and a hot-blooded liberal from a family with fascist leanings. Brody (Creative Writing/Univ. of Redlands; Red Star Sister: Between Madness and Utopia, 2000) gives full access to Mitford's story, from her first marriage to Winston Churchill's nephew, Esmond Romilly, to her migration from the comforts of England to the exploding social scene of New York City in the 1940s. The narrative accelerates as Mitford struggles to find solid footing in a foreign land, and the World War II backdrop intensifies after Mitford's husband is discovered missing in action and presumed dead somewhere in the North Sea. After Romilly's death, Mitford's slide to the political left continued upon marrying Civil Rights lawyer Robert Treuhaft, who encouraged his wife’s passion for activist reporting. Mitford witnessed firsthand the Freedom Riders' beatings in Birmingham, as well as other violent events during the civil-rights movement. Throughout her life, she courted danger while still managing to brush shoulders with royalty. She held chats with William Faulkner and Eleanor Roosevelt, while across the sea, her family dined with Hitler. “Had tea with Hitler,” her mother reported. “He is very agreeable and has surprisingly good manners.” The political differences between Mitford and her family were exacerbated by Joseph McCarthy's HUAC trials, which called upon Mitford and her husband to testify, an indignity that would only further solidify her role as a resilient muckraker long into the future.

A valuable retelling of a provocative life.

Pub Date: Oct. 1, 2010

ISBN: 978-1-58243-453-7

Page Count: 416

Publisher: Counterpoint

Review Posted Online: July 19, 2010

Kirkus Reviews Issue: Aug. 15, 2010

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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