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RED STAR SISTER

BETWEEN MADNESS AND UTOPIA

A self-critical but refreshingly unrepentant memoir of ’60s radicalism. Born in 1952, Brody grew up in working-class Riverhead and Massapequa, New York (her father ran —a five-acre auto- wrecking yard—), before acquiring the sex, drugs, and rock ‘n— roll credentials of her older contemporaries: she tripped in the Haight, took in Woodstock, jetted to Europe on Icelandic Air, and smoked hash in Amsterdam. All of this she recounts with good humor, capturing the seize-the-day spirit of the times with an easy grace. Writing of the aftermath of the Kent State shootings, for instance, she recalls an invitation by a young hipster to share his sleeping bag before a demonstration: —In that eve-of-battle atmosphere, I thought, why not? If they use live ammunition tomorrow—I could die a virgin.— She also spent time on the fringes of the Left, arguing with her old-guard radical father over Vietnam and logging time with the White Panther Party (from which she earned the designation —Red Star Sister—). As she puts it: —I was . . . moving spasmodically, from plot point to plot point, like a character in a melodrama.— All these experiences mark the turmoil and idealism to which her subtitle alludes, and she writes of them skillfully and without self-indulgence. Although she clearly rues some of the rhetorical (and the daily) excesses of the New Left, Brody refuses to follow the path of David Horowitz and other ’60s rebels-turned-rightists. —By telling you this story of the war years in terms of my own life,— she instead volunteers, —I hope to salvage some sense of the utopianism and the complicated vision of country and self that dazzled so many of us in the age we held in common.— Casually convincing sentences and a steadfast memory make this a representative memoir of a troubled era.

Pub Date: Aug. 3, 1998

ISBN: 1-886913-15-3

Page Count: 206

Publisher: Ruminator Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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