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BLACK WIDOW

A SAD-FUNNY JOURNEY THROUGH GRIEF FOR PEOPLE WHO NORMALLY AVOID BOOKS WITH WORDS LIKE "JOURNEY" IN THE TITLE

A love-filled eulogy to a beloved husband and the special times the couple shared before he died.

A memoir about how the author coped with her husband’s sudden death.

In her seriocomic debut, Palm Beach Post entertainment columnist Streeter pays tribute to her husband, Scott, by sharing detailed stories about their life together and her many struggles dealing with his death. Because Scott was white and Jewish and the author is black and Baptist, religion, racism, integration, and acceptance are significant topics throughout the narrative. For the first few months after his death, Streeter was overcome by grief as she had to pick Scott’s coffin (a “lovely, Jewish-law-compliant pine box”), choose the appropriate spot to bury him and which dress to wear to the funeral, and, most importantly, figure out how to tell their son, almost-2-year-old Brooks, whose adoption was nearly complete, that “Daddy’s not actually working late.” The author also shares her insecurities about weight and overeating, the intense exercise program she endured to get back in shape after binging, how she drank to avoid the pain, and the necessity of relying on her mother, who had also recently lost her husband. Although Streeter’s humor occasionally feels forced, her grief, lucidly portrayed, is tangible, and it’s clear writing about her difficult experiences proved cathartic to her and to those who know her and Scott and their relationship. The most moving part of the book, divided into chapters such as “Grief Cake,” “Healing: It’s Like Putting Eyeliner on a Baby,” and “You’re Gonna Make it After All,” concerns the author’s continued hopes and fears regarding the final adoption of their son, a narrative thread that culminates in a heartwarming verdict by the judge. Her resilience in the face of devastating loss is commendable, and while the book isn’t a top-shelf memoir about grief, Streeter’s candid exploration will resonate with those who have dealt with similar circumstances.

A love-filled eulogy to a beloved husband and the special times the couple shared before he died.

Pub Date: March 10, 2020

ISBN: 978-0-316-49071-9

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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